Description

Book Synopsis

This book present a model to help you to make sense of exhibitions your museum has curated. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it.



Table of Contents

Preface: Ann Rowson Love and Pat Villeneuve

Acknowledgments

Part I

Chapter 1: The Dimensions of Curation Competing Values Model, Pat Villeneuve and Ann Rowson Love

Part II: Two Dimensions: Traditional, Exclusive, Sympathetic, and Inclusive Quadrants

Traditional(Object (x) + Lone Creative (y) = Traditional)

Chapter 2: Queering the Museum: From a Traditional Model Towards a More Inclusive Practice Kara Fedje

Chapter 3: Using Traditional Practice to Review the Chinese National Art Exhibition Zida Wang

Exclusive(Object (x) + Collaborative (y) = Exclusive)

Chapter 4: Iterations of Curating with Matthew Ritchie: Working Collaboratively During the COVID-19 pandemic Stefanie Dlugosz-Acton

Chapter 5: The Artist is No Longer Present: Reconsidering Cross-Border Exhibition Curating in the Post Pandemic Era Ting Zhang

Sympathetic(Audience (x) + Lone Creative (y) = Sympathetic)

Chapter 6: A Shared Body – Re-envisioning Curatorial Collaboration in an Academic Art Museum Annie Booth and Meredith Lynn,

Chapter 7:Ally is a Verb: Adopting a Sympathetic Curatorial Practice to Build Advocacy and Community Within a Teaching Museum Alexia Lobaina

Inclusive (Audience (x) + Collaborative (y) = Inclusive)

Chapter 8: Art Connects Jennifer Jankauskas and Laura Ashley N. Bocquin

,Chapter 9: Responsive, Relational, and Disruptive: A Case Study in Community-Based CurationMarianna Pegno, Christine Brindza, Patricia Lannes, and Cecilia Garibay

Part III: Three Dimensions: Exhibitions that ___

Disseminate (Object (x) + Lone Creative (y) + Democratization of Culture (z) = Disseminate)

Chapter 10: Traditional Practice that Disseminates: Native Brazil/Alien BrazilPeter Aerts

Chapter 11: Something’s Off: Reconsidering Traditional Practice Michelle Sunset

Discern(Object (x) + Lone Creative (y) + Cultural Democracy (z) = Discern)

Chapter 12: Discerning the Cryosphere: Humans and Climate in Art from the Frances Lehman Loeb Art Center, Vassar College Elizabeth Nogrady

Chapter 13: Discerning with a Good Voice: Hówašte at The Heritage Center Ashley Pourier and Audrey Jacobs

Enrich(Object (x) + Collaborative (y) + Democratization of Culture (z) = Enrich)

Chapter 14: Not Just Dissemination, an Enriched Experience: Ming Dynasty Costume Exhibition Xiaonan Jiang and Xuejing Dai

Chapter 15: SKIN, a Multisensory Art Exhibition for Children Aged 8+ and Their Families Stefanie Metsemaker and Gerd Dierckx

Amplify(Object (x) + Collaborative (y) = Cultural Democracy (z) = Amplify)

Chapter 16: Challenging Romaphobia: The Case of a Romanian Carnival Mask at Mucem Julia Ferloni and Emilie Sitzia

Chapter 17: Lock & Key Creative Expression Lab: A Curated Space During the Pandemic Ashley Hartman and Melanie Rosato

Mediate(Audience (x) + Lone Creative (y) + Democratization of Culture = Mediate)

Chapter 18: The Same Four Walls: Inspiration and Reflection During a Global PandemicLesley Marchessault

Chapter 19: SCREEN IT: Mediation-Driven Inclusive Approach to Art, Technology, and Audiences Pieter Jan Valgaeren

Inspire(Audience (x) + Lone Creative (y) + Cultural Democracy (z) = Inspire)

Chapter 20: The Boneyard: Inspiring through In-Gallery Artist Demonstrations Courtney Taylor, Andy Shaw, and Grant Benoit

Chapter 21: There is No Planet B! An Audience Participation Project Meant to Inspire Aline Van Nereaux

EmpowerAudience (x) + Collaborative (y) + Democratization of Culture (z) = Empower)

Chapter 22: EmPOWER: Learning from our Youngest Community Members at the Clyfford Still Museum Nicole Cromartie and Bailey H. Placzek

Chapter 23: Anybody Home? Roselyne Francken and Tammy Wille

Act(Audience (x) + Collaborative (y) + Cultural Democracy (z) = Act)

Chapter 24: Collaborative Reach of a Site-Specific Exhibition that Addresses School Segregation Katie Fuller and Patricia O’Rourke

Chapter 25: Boundless Hospitality: M From a Different Perspective Sofie Vermeiren

Part IV: Curatorial Change and Tools

Chapter 26: One Museum, Three Dimensions of Curation: A Script Jay Boda, Charlie Farrell, Madison Grigsby, Anneliese Hardman

Chapter 27: You Say You Want a Revolution: Empowering the Edu-Curator Emily Dellheim,

Chapter 28: M Leuven: A Holistic Approach in Exhibition MakingPeter Carpreau and Sofie Vermeiren

Chapter 29: Inclusive Curatorial Practice Lynette A. Zimmerman

Chapter 30: Toward an Interactive Model of Competing Values: From Visualization to Toolkit Morgan Joseph Hamilton

Chapter 31: Dimensions of Education: Adapting the Curatorial Model for Museum Education Audrey Jacobs and Ashley Williams

About the Contributors

Dimensions of Curation: Considering Competing

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    A Hardback by Ann Rowson Love, Pat Villeneuve

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      View other formats and editions of Dimensions of Curation: Considering Competing by Ann Rowson Love

      Publisher: Rowman & Littlefield
      Publication Date: 16/08/2023
      ISBN13: 9781538167342, 978-1538167342
      ISBN10: 1538167344

      Description

      Book Synopsis

      This book present a model to help you to make sense of exhibitions your museum has curated. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it.



      Table of Contents

      Preface: Ann Rowson Love and Pat Villeneuve

      Acknowledgments

      Part I

      Chapter 1: The Dimensions of Curation Competing Values Model, Pat Villeneuve and Ann Rowson Love

      Part II: Two Dimensions: Traditional, Exclusive, Sympathetic, and Inclusive Quadrants

      Traditional(Object (x) + Lone Creative (y) = Traditional)

      Chapter 2: Queering the Museum: From a Traditional Model Towards a More Inclusive Practice Kara Fedje

      Chapter 3: Using Traditional Practice to Review the Chinese National Art Exhibition Zida Wang

      Exclusive(Object (x) + Collaborative (y) = Exclusive)

      Chapter 4: Iterations of Curating with Matthew Ritchie: Working Collaboratively During the COVID-19 pandemic Stefanie Dlugosz-Acton

      Chapter 5: The Artist is No Longer Present: Reconsidering Cross-Border Exhibition Curating in the Post Pandemic Era Ting Zhang

      Sympathetic(Audience (x) + Lone Creative (y) = Sympathetic)

      Chapter 6: A Shared Body – Re-envisioning Curatorial Collaboration in an Academic Art Museum Annie Booth and Meredith Lynn,

      Chapter 7:Ally is a Verb: Adopting a Sympathetic Curatorial Practice to Build Advocacy and Community Within a Teaching Museum Alexia Lobaina

      Inclusive (Audience (x) + Collaborative (y) = Inclusive)

      Chapter 8: Art Connects Jennifer Jankauskas and Laura Ashley N. Bocquin

      ,Chapter 9: Responsive, Relational, and Disruptive: A Case Study in Community-Based CurationMarianna Pegno, Christine Brindza, Patricia Lannes, and Cecilia Garibay

      Part III: Three Dimensions: Exhibitions that ___

      Disseminate (Object (x) + Lone Creative (y) + Democratization of Culture (z) = Disseminate)

      Chapter 10: Traditional Practice that Disseminates: Native Brazil/Alien BrazilPeter Aerts

      Chapter 11: Something’s Off: Reconsidering Traditional Practice Michelle Sunset

      Discern(Object (x) + Lone Creative (y) + Cultural Democracy (z) = Discern)

      Chapter 12: Discerning the Cryosphere: Humans and Climate in Art from the Frances Lehman Loeb Art Center, Vassar College Elizabeth Nogrady

      Chapter 13: Discerning with a Good Voice: Hówašte at The Heritage Center Ashley Pourier and Audrey Jacobs

      Enrich(Object (x) + Collaborative (y) + Democratization of Culture (z) = Enrich)

      Chapter 14: Not Just Dissemination, an Enriched Experience: Ming Dynasty Costume Exhibition Xiaonan Jiang and Xuejing Dai

      Chapter 15: SKIN, a Multisensory Art Exhibition for Children Aged 8+ and Their Families Stefanie Metsemaker and Gerd Dierckx

      Amplify(Object (x) + Collaborative (y) = Cultural Democracy (z) = Amplify)

      Chapter 16: Challenging Romaphobia: The Case of a Romanian Carnival Mask at Mucem Julia Ferloni and Emilie Sitzia

      Chapter 17: Lock & Key Creative Expression Lab: A Curated Space During the Pandemic Ashley Hartman and Melanie Rosato

      Mediate(Audience (x) + Lone Creative (y) + Democratization of Culture = Mediate)

      Chapter 18: The Same Four Walls: Inspiration and Reflection During a Global PandemicLesley Marchessault

      Chapter 19: SCREEN IT: Mediation-Driven Inclusive Approach to Art, Technology, and Audiences Pieter Jan Valgaeren

      Inspire(Audience (x) + Lone Creative (y) + Cultural Democracy (z) = Inspire)

      Chapter 20: The Boneyard: Inspiring through In-Gallery Artist Demonstrations Courtney Taylor, Andy Shaw, and Grant Benoit

      Chapter 21: There is No Planet B! An Audience Participation Project Meant to Inspire Aline Van Nereaux

      EmpowerAudience (x) + Collaborative (y) + Democratization of Culture (z) = Empower)

      Chapter 22: EmPOWER: Learning from our Youngest Community Members at the Clyfford Still Museum Nicole Cromartie and Bailey H. Placzek

      Chapter 23: Anybody Home? Roselyne Francken and Tammy Wille

      Act(Audience (x) + Collaborative (y) + Cultural Democracy (z) = Act)

      Chapter 24: Collaborative Reach of a Site-Specific Exhibition that Addresses School Segregation Katie Fuller and Patricia O’Rourke

      Chapter 25: Boundless Hospitality: M From a Different Perspective Sofie Vermeiren

      Part IV: Curatorial Change and Tools

      Chapter 26: One Museum, Three Dimensions of Curation: A Script Jay Boda, Charlie Farrell, Madison Grigsby, Anneliese Hardman

      Chapter 27: You Say You Want a Revolution: Empowering the Edu-Curator Emily Dellheim,

      Chapter 28: M Leuven: A Holistic Approach in Exhibition MakingPeter Carpreau and Sofie Vermeiren

      Chapter 29: Inclusive Curatorial Practice Lynette A. Zimmerman

      Chapter 30: Toward an Interactive Model of Competing Values: From Visualization to Toolkit Morgan Joseph Hamilton

      Chapter 31: Dimensions of Education: Adapting the Curatorial Model for Museum Education Audrey Jacobs and Ashley Williams

      About the Contributors

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