Description
Book SynopsisThe use of differing input and output equipment (scanners, monitors, printers, etc.) in computer-aided publishing often results in the unsatisfactory reproduction of color originals in print and online media. This is the first book presenting the basics and strategies for color management in the print publishing workflow with focus on producing according ISO 12647-2 and other standards. The user learns what to expect from color management according to the ICC-standard and how to avoid the pitfalls. The terminology is oriented on practicing professionals for print production.
Trade ReviewAus den Rezensionen:
"... Dieses englischsprachige Buch liefert die richtige Grundlagen und Vorgehensweisen für Farbmanagement. Es richtet sich in erster Linie an klassische Print-Publisher, aber auch Video- und Webdesigner können gut davon lernen und sich die Grundlagen für den wichtigen Bereich aneigen. [sic] " (in: Digital Production, März/April 2009, Issue 2, S. 11)
Table of ContentsColor Theory with Ideal Colors.- Color Theory with Realistic Colors.- The Principles of Color Management.- ISO 12647, GRACoL and SWOP for Separation, Proof and Print.- Using ICC Strengths and Avoiding ICC Problems.- PDF/X-1a and DeviceLink Color Servers.- Corner Stones for a Color-Management Strategy.
