Description
Book SynopsisDigital Access and Museums as Platforms draws on interviews with museum practitioners, along with a range of case studies from public and private institutions, in order to investigate the tensions and benefits involved in making cultural collections available using digital technologies.
Taking a media and critical studies approach to the museum and raising questions about the role of privately owned search engines in facilitating museum experiences, the book questions who collects what, for whom objects are collected and what purpose these objects and collections serve. Connecting fieldwork undertaken in Australia and New Zealand with the global practices of technology companies, Wilson-Barnao brings attention to an emerging new model of digital ownership and moderation. Considering the synergising of these institutions with media systems, which are now playing a more prominent role in facilitating access to culture, the book also explores the motivations of differen
Table of Contents
List of Figures
Acknowledgements
Chapter 1 Introduction: From the analogue to digital museum
Chapter 2 The logic of open access to culture
Chapter 3 From sensory to sensing museum
Chapter 4 From museum to platform
Chapter 5 Negotiating museums as platforms
Index
