Description

Book Synopsis
Dianna Frid's sculptures, installations, artist's books, and mixed media work explore the intersection of text and textile, matter and subject matter. Richard Rezac has created thought-provoking abstract object-sculptures since the 1980s. This book, the catalog for a recent exhibition at the DePaul Art Museum, brings together works by both of these Chicago-based artists. In doing so, Dianna Frid + Richard Rezac: Split Complementary shines a light on their shared sensibilities a rigorous yet poetic approach that revels in the nuances of color, surface, and material. Frid's and Rezac's works appear here accompanied by rare books from DePaul University's John T. Richardson Library and a variety of objects from the DePaul Art Museum's permanent collection. The juxtaposition of objects made by artists, craftspeople, and bookbinders generates affinities that broaden how we see and understand all of the work assembled in these pages. Complementing each other formally, these pieces offer oppor

Dianna Frid Richard Rezac Split Complementary

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    Order before 4pm tomorrow for delivery by Wed 1 Jul 2026.

    A Hardback by Julie Rodrigues Widho, Julie Rodrigues Widho

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      Publisher: DePaul University Art Museum
      Publication Date: 3/15/2017 12:00:00 AM
      ISBN13: 9780985096021, 978-0985096021
      ISBN10: 0985096020
      Also in:
      The arts: general topics

      Description

      Book Synopsis
      Dianna Frid's sculptures, installations, artist's books, and mixed media work explore the intersection of text and textile, matter and subject matter. Richard Rezac has created thought-provoking abstract object-sculptures since the 1980s. This book, the catalog for a recent exhibition at the DePaul Art Museum, brings together works by both of these Chicago-based artists. In doing so, Dianna Frid + Richard Rezac: Split Complementary shines a light on their shared sensibilities a rigorous yet poetic approach that revels in the nuances of color, surface, and material. Frid's and Rezac's works appear here accompanied by rare books from DePaul University's John T. Richardson Library and a variety of objects from the DePaul Art Museum's permanent collection. The juxtaposition of objects made by artists, craftspeople, and bookbinders generates affinities that broaden how we see and understand all of the work assembled in these pages. Complementing each other formally, these pieces offer oppor

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