Description
Book SynopsisThe September 1997 vote approving devolution, albeit by a tiny margin, was a watershed moment in recent Welsh history. This volume of essays considers the English-language poetic life of Wales since that point. Addressing a range of poets who are associated with Wales by either birth or residence and have been significantly active in the post-1997 period, it seeks to understand the various ways in which Wales’s Anglophone poetic life has been intertwined both with devolutionary matters specifically and the life of contemporary Wales more generally, as well as providing detailed scrutiny of work by key figures. The purpose of the book is thus to offer insights into how English-language poetry and contemporary Wales intersect, exploring the contours of a diverse and vibrant poetic life that is being produced at a time of important cultural and political developments within Wales as a whole.
Table of ContentsCONTENTS: Matthew Jarvis: Introduction: Wales, Devolution, Poetry – Peter Barry: Zoë Skoulding: Devolutionary Reading – Neal Alexander: Here and There: Poetry after Devolution in Wales and Northern Ireland – Kathryn Gray: For Welsh Read British? – Matthew Jarvis: Devolutionary Complexities: Reading Three New Poets – Daniel G. Williams: In Paris or Sofia? Avant-Garde Poetry and Cultural Nationalism after Devolution – Nerys Williams: «After Before»: Finding Welsh War Poetry – Lucy Thomas: Poetry and the Public Purse: Publishing Grants for English-Language Poetry from Wales in the Post-devolution Era – Alice Entwistle: Taking Flight: Translation, Dafydd and Dyfalu in Gwyneth Lewis’s Devolving Poetics – John Redmond: Poetic Hybridity in Patrick McGuinness’s Other People’s Countries – Zoë Brigley Thompson: Displacing and Redefining Trauma: Pascale Petit’s Deer, Birds and Butterflies.
