Description
Book SynopsisDevising Theatre and Performance is a hands-on guide for artists, students and teachers of performance at any stage of their practice. It offers a wide range of creative prompts and pathways enriched with critical thinking tools and questions, a hybrid approach Hill and Paris call ‘Curious Methods’.
This is a welcome addition to the field, created and curated by two experienced artists who have operated at the international interface of academia and professional practice for over three decades.
The collection is packed with fun, creative, thoughtful exercises distilled from over twenty years of running interdisciplinary artist workshops and teaching both devising and performance making. As well providing numerous exercises and suggestions for devising, composing and editing original works, this book offers tools for giving and receiving feedback, critical reflection and framing artistic work within academic research contexts.
Readers can choose to dip in and out, to follow the book as a course or to work section by section, focusing on organizing principles such as working from the body, working with site, working with objects or performance activism. The book includes a detailed production workbook and a practice-based research workbook you can tailor to your own projects. The 'Curious Methods' approach encourages users to take the time and space their practice deserves while offering tools, nourishment and encouragement and inviting them to take risks beyond their comfort zones. The exercises are carefully described so that they can easily be tested out by readers, and are well contextualized in relation to vivid examples from contemporary performance practice and relevant political contexts. This compelling approach goes beyond many other books on theatre devising, which merely provide performance recipes; they do so by repeatedly highlighting the vital cultural relevance and potential personal impact of the experiments that they invite us to undertake.
The primary audience for this important new book will be academics, instructors and students in courses on devised theatre, improvisation, performance art, experimental performance and practice-based research. It will be essential for classroom use, for students of theatre and performance and live art – undergraduate, postgraduate and Ph.D., teachers and all those needing strategies for getting started.
It will also appeal to readers from the broader arts, humanities and social sciences who are seeking resources for integrating creative methods into their research.
Trade Review'Curious’s methods are at once tender, lyrical, soul-stirring, and politically charged. To practise their methods with them is joyous and inspiring.'
-- Jen Harvie, Queen Mary University of London
'For the student/teacher/creator of performance practice, this work is a gift from the gods. The original gods - the muses - where creation takes shape from within the body and the body politic (the necessary “I” and “we” of it). If you imagine you don’t need this book, you especially need this book. The very reading of this text brings the reader’s body into being and we are suddenly prompted to get up and create in response. The best advice: “Start with a question.” This, the first step, in the journey of original work that Paris and Hill invite us to return to with every new day as artists and scholars; and, they have created a compelling cartography of design to guide us along the way. I am deeply grateful for their wisdom.'
-- Cherrie Moraga, University of California Santa Barbara
'A deep dive into creative practice, Curious Methods makes available a generative range of excellent ideas, prompts, exercises, and inspirations for bringing forth performance as research, as experience, as finely crafted art form, as surprise. Working with this book, whether alone or with others, will help harness the power of the impulsive and open doors marked non-linear to expand the boundaries of creative possibilities in as yet unimagined directions. This is an invitation to your own artistic journey! Pack light. Hill and Paris help you find what you need all along the way.'
-- Rebecca Schneider, Brown University
'This is an essential resource for both artists and scholars and I can't think of anyone better placed to make this offering than Helen and Leslie and their incurably curious minds.'
-- Lois Weaver, Artist, Activist, Split Britches
'Curious Methods offers an invaluable resource that brings insights, at once practical and profound, into methods of performance making. The pragmatic wisdom that illumines this book is vital for anyone making creative work, from the beginner amateur to the seasoned professional. The thoughtful and meditative quality of these exercises will enrich not only your creative work, it will also attune you to glimmers of everyday redemption and enable you to cultivate a joyful ethic of practice.'
-- Jisha Menon, Stanford University
'This inspiring, energizing, and curiosity-inducing collection of exercises, lessons, and prompts will activate performance-based artists at all levels. Whether building a daily creative practice or making a performance, readers of Curious Methods will quickly become participants in Hill and Paris’ generous and generative project.'
-- Stacy Wolf, Princeton University
'One of the most compelling aspects of the book is Hill and Paris’s offer of “companionship” - encouragement to test out, to dream, to fail spectacularly, to seek out and be receptive to deeply personal discoveries with these generous, vibrant, and compassionate artists.'
-- Laura Levin, York University, Toronto
'This beautifully executed and crafted book is the ideal companion for anyone working in the field of contemporary performance and theatre-making. This is a very generous offering of a resourceful and inventive toolbox from one of the most prominent performance duos working in Live Art. I can very easily imagine delving into it on a regular basis to feed my practical pedagogy as well as my own creative processes.'
-- Chloé Déchery, University of Paris 8, France
'What a gorgeously tasty, seductive, and inventive set of invitations to create new performance fill this remarkable book. The "curious methods" of Leslie Hill and Helen Paris help us follow our noses into the myth and memory that live loud in devised work. An invaluable user's manual for being human!'
-- Tim Miller, solo performer and author of A Body in the O
Table of ContentsList of Illustrations
Acknowledgements
1. Curious Methods
2. Pep Talk
Daily Practice
Outfoxing the Censor
Freewriting
A Time and a Place
Failing Better
3. Working from the Body
Arrivals and Departures
Begin Again
Tongue-Tied
Body Map
Body Memory
Invisible
The Sense of Smell
Homesick
Olfactory Portraits
Fight Flight Freeze
Gut Feelings
Secret Duets
Inheritance Tracks
Family Traits and Mannerisms
Persona
Walk This Way
Building a Persona
4. Working with Objects
Tactile Memory
Exquisite and Mundane
Inherited Objects
Box Stories
‘The Lovers’
Suitcase
5. Working with Site
Give and Take
Ghost Library
Ghost Duets
In Search of a Gesture
You Are Here
Map Making, Three Ways
Blurring Time and Place
Things ain’t what they used to be
Best Foot Forward
Marks and Scars
Dancing Place and Space
Private, Keep Out!
Taking Up Residence
Infinitesimal Detail
Fifteen Quick Freewrites on Place
Autotopographically Speaking
Silent Stroll
Closing Thoughts
6. Working with Pairings
Failure & Text
Desire & Proximity
Ritual & Object
7. Activism
Manifestos
Impulse Manifesto
Make Manifest
Lending and Borrowing
Signs
Wear Your Heart on Your Sleeve
On Location
Stand Up, Speak Out
Living Newspaper
Ripped from the Headlines
Re-Enactment
Choose Your Battles
Verbatim Theatre
Explosive Material – a Journalistic Exercise
Explosive Compounds – an Ethnographic Exercise
One-Minute Plays
Mix Tape
Produce, Adapt or Devise?
A Moment in History
Cross That Line
Closed Border
Open Border
Tactical Toolkit
Make a Spectacle
Reflections
8. Production Workbook
Operating Instructions
Kick-Starting Process
Realm of Concern
I’ve always wanted to be able to …
Feathering the Nest
Look Book
Composition
Space and Composition
Dream Island
Fleshing It Out
Dancing the Dynamics
Workshopping
Index Card Storyboard
Dear Dead Darlings
Remember the Audience
Dear Audience
Feedback
Three Adjectives
Performance Response
Brief Hauntings
Companion Piece
Invited Guests
Bespoke
Cartomancy
Documentation
Pen Pal
Favourite Performance You Never Saw
9. A Practice-Based Research Workbook
Performing Knowledges
Back Stage
Escape Velocity
Glorious Manifestations
Generative Research
Mapping Your Practice
Diagrammatic Praxis
Secret Fear
Abstractions on Secret Fears
Defining Your Dramaturgy
Signatures of Practice
Art-I-Facts
Love Letter
Artist-Scholar Family Album
Methodologies
Phenomenology
Doing a Phenomenology
Phenomenological Journal
Autoethnography
Project Descriptions in 1st and 3rd
Specialist Knowledge
Autoethnographic Journal
Keeping a Lab Notebook
Designing Bespoke PBR Exercises – Two Case Studies
Gut Feelings
UpRoot
Sowing from Seed
PBR Evaluation and Critique
Bespoke Evaluation Rubric
Amalgamated Evaluation Rubric
Bibliography and Further Reading
Index
