Description

Book Synopsis

A collection of essays by art historians on works of art, artifacts, and monuments that are no longer extant, have disappeared, or perhaps never existed outside of language. Addresses destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.



Trade Review

Destroyed—Disappeared—Lost—Never Were is the sort of scholarship that begins to fill the literal lacunae cautiously avoided by premodern art historians for so long, but perhaps no longer.”

—Elisa A. Foster caa.reviews


Destroyed—Disappeared—Lost—Never Were makes a fresh contribution to the field, one that dexterously balances historical perspectives and theoretical awareness. Its short essays cover a variety of topics with a global reach but with a common concern: how the ‘existential uncertainty’ resulting from works that are no longer extant or may never have existed outside verbal evocations has shaped and continues to shape the practice of art history.”

—Brigitte Buettner,author of Boccaccio’s “Des cleres et nobles femmes”: Systems of Signification in an Illuminated Manuscript


“Both as a whole and as individual essays, the contents of Destroyed - Disappeared - Lost - Never Were contribute significantly to various urgent scholarly conversations in art history today. Highly original and written by experts in their respective fields, each of the book’s chapters focus on serious lacunae in the medieval discipline, unpacking them in creative ways in relation to both primary and secondary materials. Between them, these exciting essays offer novel readings of previously untreated objects, important revisions to existing historical and theoretical narratives, and original critiques of received historiographies.”

—Jack Hartnell,author of Medieval Bodies: Life, Death and Art in the Middle Ages


“[A] cathartic book.”

—William Chester Jordan Mediaevistik



Table of Contents

List of Illustrations

Acknowledgements

Introduction: Destroyed—Disappeared—Lost—Never Were

Beate Fricke and Aden Kumler

1. Jerusalem’s Local Sancta and Their Perishable Frames

Michele Bacci

2. John Lloyd Stephens and the Lost Lintel of Kabah

Claudia Brittenham

3. The Sanguine Art: Four Fragments

Sonja Drimmer

4. The Dreamwork of Positivism: Archaeological Art History and the Imaginative Restoration of the Lost

Jaś Elsner

5. Finding Delight in Gardens Lost

Danielle B. Joyner

6. Impermanence, Futurity, and Loss in Twelfth-Century Japan

Kristopher W. Kersey

7. Lonely Bones: Relics sans Reliquaries

Lena Liepe

8. The Manuscript Machine: Assemblages and

Divisions in Jazarī’s Compendium

Meekyung MacMurdie

9. Cave and Camera: Shades of Loss in the

Library Cave of Dunhuang

Michelle McCoy

10. Mourning the Loss of Works / Praising Their Absence: A Response

Peter Geimer

List of Contributors

DestroyedDisappearedLostNever Were

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    A Paperback / softback by Beate Fricke, Aden Kumler

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      Publisher: Pennsylvania State University Press
      Publication Date: 28/06/2022
      ISBN13: 9780271093284, 978-0271093284
      ISBN10: 0271093285
      Also in:
      Theory of art

      Description

      Book Synopsis

      A collection of essays by art historians on works of art, artifacts, and monuments that are no longer extant, have disappeared, or perhaps never existed outside of language. Addresses destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.



      Trade Review

      Destroyed—Disappeared—Lost—Never Were is the sort of scholarship that begins to fill the literal lacunae cautiously avoided by premodern art historians for so long, but perhaps no longer.”

      —Elisa A. Foster caa.reviews


      Destroyed—Disappeared—Lost—Never Were makes a fresh contribution to the field, one that dexterously balances historical perspectives and theoretical awareness. Its short essays cover a variety of topics with a global reach but with a common concern: how the ‘existential uncertainty’ resulting from works that are no longer extant or may never have existed outside verbal evocations has shaped and continues to shape the practice of art history.”

      —Brigitte Buettner,author of Boccaccio’s “Des cleres et nobles femmes”: Systems of Signification in an Illuminated Manuscript


      “Both as a whole and as individual essays, the contents of Destroyed - Disappeared - Lost - Never Were contribute significantly to various urgent scholarly conversations in art history today. Highly original and written by experts in their respective fields, each of the book’s chapters focus on serious lacunae in the medieval discipline, unpacking them in creative ways in relation to both primary and secondary materials. Between them, these exciting essays offer novel readings of previously untreated objects, important revisions to existing historical and theoretical narratives, and original critiques of received historiographies.”

      —Jack Hartnell,author of Medieval Bodies: Life, Death and Art in the Middle Ages


      “[A] cathartic book.”

      —William Chester Jordan Mediaevistik



      Table of Contents

      List of Illustrations

      Acknowledgements

      Introduction: Destroyed—Disappeared—Lost—Never Were

      Beate Fricke and Aden Kumler

      1. Jerusalem’s Local Sancta and Their Perishable Frames

      Michele Bacci

      2. John Lloyd Stephens and the Lost Lintel of Kabah

      Claudia Brittenham

      3. The Sanguine Art: Four Fragments

      Sonja Drimmer

      4. The Dreamwork of Positivism: Archaeological Art History and the Imaginative Restoration of the Lost

      Jaś Elsner

      5. Finding Delight in Gardens Lost

      Danielle B. Joyner

      6. Impermanence, Futurity, and Loss in Twelfth-Century Japan

      Kristopher W. Kersey

      7. Lonely Bones: Relics sans Reliquaries

      Lena Liepe

      8. The Manuscript Machine: Assemblages and

      Divisions in Jazarī’s Compendium

      Meekyung MacMurdie

      9. Cave and Camera: Shades of Loss in the

      Library Cave of Dunhuang

      Michelle McCoy

      10. Mourning the Loss of Works / Praising Their Absence: A Response

      Peter Geimer

      List of Contributors

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