Description

Book Synopsis
In the 19th century, literature shared with the medical and psychological sciences a strategy of examining the most extreme manifestations of human desire. While fetishism, sadism and masochism still resonate as concepts with critical currency, necrophilia has received little attention. In this groundbreaking study, Lisa Downing rescues necrophilia from the margins of sexual desire, relocating it as a symptom and a pervasive fantasy of modern subjectivity. Drawing case material from the 19th century French canon, the author brings works by Baudelaire and Rachilde into dialogue with foundational European texts of sexology and Psychoanalysis. She reads against the grain of traditional Freudian theories of sexuality, the conventions of 19th century literary scholarship, and feminist critiques of the 'masculine' morbid aesthetic in order to bring to light a model of desire whose problematic nature afflicts existing discourses about sexuality and gender in 19th century France and beyond.

Desiring the Dead: Necrophilia and Nineteenth-century French Literature

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    A Paperback by Prof. Lisa Downing

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      View other formats and editions of Desiring the Dead: Necrophilia and Nineteenth-century French Literature by Prof. Lisa Downing

      Publisher: Taylor & Francis Ltd
      Publication Date: 01/10/2002
      ISBN13: 9781900755658, 978-1900755658
      ISBN10:

      Description

      Book Synopsis
      In the 19th century, literature shared with the medical and psychological sciences a strategy of examining the most extreme manifestations of human desire. While fetishism, sadism and masochism still resonate as concepts with critical currency, necrophilia has received little attention. In this groundbreaking study, Lisa Downing rescues necrophilia from the margins of sexual desire, relocating it as a symptom and a pervasive fantasy of modern subjectivity. Drawing case material from the 19th century French canon, the author brings works by Baudelaire and Rachilde into dialogue with foundational European texts of sexology and Psychoanalysis. She reads against the grain of traditional Freudian theories of sexuality, the conventions of 19th century literary scholarship, and feminist critiques of the 'masculine' morbid aesthetic in order to bring to light a model of desire whose problematic nature afflicts existing discourses about sexuality and gender in 19th century France and beyond.

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