Description

Consumed with the accumulation of lost time and unfulfilled longing, Desire Museum by Danielle Cadena Deulen is an intricate exploration of things left unfinished or unsatisfied.

Divided into four sections and shaped by female-identified embodiment, Desire Museum touches on lost love and friendship, climate crisis, lesbian relationships, and the imprisonment of children at the U.S.-Mexico border. These poems trace the pleasures and pitfalls of sex, the anxieties of motherhood, and the ramifications of interpersonal, sociopolitical, and environmental trauma in women’s lives. In these pages, Deulen holds up a candle to desire itself, questioning what it means to recognize and embrace one's desires, or what it might mean to let them go.

In conversation with Hopkins, Keats, Crane, and Lorca, Deulen seamlessly weaves memories into dreamscapes and blurs the human and natural worlds. With love, wonder, grief, and awe, Desire Museum shows us that to live alongside desire is to refuse to be contained: “I refuse meaning [ ] the first sunrise reiterates the last.”

Desire Museum

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Paperback / softback by Danielle Cadena Deulen

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Short Description:

Consumed with the accumulation of lost time and unfulfilled longing, Desire Museum by Danielle Cadena Deulen is an intricate exploration... Read more

    Publisher: BOA Editions, Limited
    Publication Date: 23/11/2023
    ISBN13: 9781960145000, 978-1960145000
    ISBN10: 1960145002

    Number of Pages: 104

    Fiction , Poetry

    Description

    Consumed with the accumulation of lost time and unfulfilled longing, Desire Museum by Danielle Cadena Deulen is an intricate exploration of things left unfinished or unsatisfied.

    Divided into four sections and shaped by female-identified embodiment, Desire Museum touches on lost love and friendship, climate crisis, lesbian relationships, and the imprisonment of children at the U.S.-Mexico border. These poems trace the pleasures and pitfalls of sex, the anxieties of motherhood, and the ramifications of interpersonal, sociopolitical, and environmental trauma in women’s lives. In these pages, Deulen holds up a candle to desire itself, questioning what it means to recognize and embrace one's desires, or what it might mean to let them go.

    In conversation with Hopkins, Keats, Crane, and Lorca, Deulen seamlessly weaves memories into dreamscapes and blurs the human and natural worlds. With love, wonder, grief, and awe, Desire Museum shows us that to live alongside desire is to refuse to be contained: “I refuse meaning [ ] the first sunrise reiterates the last.”

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