Description
Book SynopsisIan Buchanan is Professor of Cultural Studies at the University of Wollongong, Australia. He is the author of the
Oxford Dictionary of Critical Theory (2010) and the editor of
Deleuze Studies.
Lorna Collins is an artist, critic and arts educator based in Cambridge, where she completed her PhD as a Foundation Scholar in French Philosophy, at Jesus College. She is the founder and co-organiser/curator of the trans-disciplinary Making Sense colloquia and co-editor of the series of
Making Sense books. Her provocative practice as an artist (in paint, film, installation and performance) drives the motor that lies behind all her existential and epistemological (philosophical) enquiries.
Table of ContentsNotes on Contributors List of Illustrations Introduction,
Ian Buchanan and Lorna Collins Part I: Genealogy of Art and Schizoanalysis 1. The Clutter Assemblage,
Ian Buchanan (Director for the Institute for Social Transformation Research, University of Wollongong, Australia) 2. Schizo-Revolutionary Art; Deleuze, Guattari and Communisation Theory,
Stephen Zepke (author of Sublime Art)
Part II: Raw Data for Schizoanalysis: Outsider Art 3. Pragmatics of Raw Art (For the Post-Autonomy Paradigm),
Alexander Wilson (media artist, musician, theatre director and theorist) 4. Passional Bodies: The Interstitial Force of Artaud’s Drawings,
Anna Powell (Reader in Film and English at Manchester Metropolitan University, UK) 5. Art, Therapy and the Schizophrenic,
Lorna Collins (artist, poet and critical theorist)
Part III: Art as an Abstract Machine 6. The Audience and the Art Machine: Janet Cardiff and George Bures Miller’s Opera for a Small Room,
Susan Ballard (School of the Arts, English and Media, University of Wollongong) 7. 1780 and 1945: An Avant-Garde Without Authority, Addressing the Anthropocene,
jan jagodzinski (University of Alberta in Edmonton, Canada) 8. Strategies of Camouflage: Depersonalisation, Schizoanalysis and Contemporary Photography,
Ayelet Zohar (transdisciplinary artist, curator and Lecturer, Tel Aviv University, Israel)
Part IV: Mobilizing Schizoanalysis: Collaborative Art Practice 9. The Event of Painting,
Andrea Eckersley (artist) 10. In Response to the ‘Indiscreet Questioner’,
Jac Saorsa (Cardiff University, Wales) 11. The Sinthome/Z-point Relation or Art as Non-Schizoanalysis,
David Burrows and Simon O’Sullivan (Plastique Fantastique) (Slade School of Fine Art, UCL, UK and Goldsmiths College, University of London) 12. Art as Schizoanalysis: Creative Place-Making in South Asia,
Leon Tan (Independent scholar) Index
