Description

Book Synopsis
The historical trajectory of decadent culture runs from ancient Rome, to nineteenth-century Paris, Victorian London, fin de siècle Vienna, Weimar Berlin, and beyond. The first of these, the decline of Rome, provides the pattern for both aesthetic and social decadence, a pattern that artists and writers in the nineteenth century imitated, emulated, parodied, and otherwise manipulated for aesthetic gain. What begins as the moral condemnation of modernity in mid-nineteenth century France on the part of decadent authors such as Charles Baudelaire ends up as the perverse celebration of the pessimism that imperial decline, whether real or imagined, involves. This delight in decline informs the so-called breviary, or even bible, of decadence from Joris-Karl Huysmans''s À Rebours, Oscar Wilde''s The Picture of Dorian Gray, Aubrey Beardsley''s drawings, Gustav Klimt''s paintings, and numerous other works. In this Very Short Introduction, David Weir explores these conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence -- the excess of artifice -- and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences, especially as decadence enters the realm of popular culture today.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Trade Review
incisive survey * Matthew Reisz, Times Higher Education *
entertaining * ANZLitLovers *
Weir does us a service by bringing into one accessible book the decadences of different ages for comparison. * Jad Adams, The Wildean *
In Decadence: A Very Short Introduction, David Weir helps students, scholars, and the general public to think more critically about decadence by introducing a lens that could serve as a starting point for understanding the concept: modernity and conflict.

Table of Contents
List of Illustrations Introduction 1 Rome: Classical Decadence 2 Paris: Cultural Decadence 3 London: Social Decadence 4 Vienna and Berlin: Socio-cultural Decadence Conclusion: Legacies of Decadence References Further reading Index

Decadence

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    A Paperback / softback by David Weir

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      Publisher: Oxford University Press Inc
      Publication Date: 22/03/2018
      ISBN13: 9780190610227, 978-0190610227
      ISBN10: 0190610220

      Description

      Book Synopsis
      The historical trajectory of decadent culture runs from ancient Rome, to nineteenth-century Paris, Victorian London, fin de siècle Vienna, Weimar Berlin, and beyond. The first of these, the decline of Rome, provides the pattern for both aesthetic and social decadence, a pattern that artists and writers in the nineteenth century imitated, emulated, parodied, and otherwise manipulated for aesthetic gain. What begins as the moral condemnation of modernity in mid-nineteenth century France on the part of decadent authors such as Charles Baudelaire ends up as the perverse celebration of the pessimism that imperial decline, whether real or imagined, involves. This delight in decline informs the so-called breviary, or even bible, of decadence from Joris-Karl Huysmans''s À Rebours, Oscar Wilde''s The Picture of Dorian Gray, Aubrey Beardsley''s drawings, Gustav Klimt''s paintings, and numerous other works. In this Very Short Introduction, David Weir explores these conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence -- the excess of artifice -- and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences, especially as decadence enters the realm of popular culture today.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

      Trade Review
      incisive survey * Matthew Reisz, Times Higher Education *
      entertaining * ANZLitLovers *
      Weir does us a service by bringing into one accessible book the decadences of different ages for comparison. * Jad Adams, The Wildean *
      In Decadence: A Very Short Introduction, David Weir helps students, scholars, and the general public to think more critically about decadence by introducing a lens that could serve as a starting point for understanding the concept: modernity and conflict.

      Table of Contents
      List of Illustrations Introduction 1 Rome: Classical Decadence 2 Paris: Cultural Decadence 3 London: Social Decadence 4 Vienna and Berlin: Socio-cultural Decadence Conclusion: Legacies of Decadence References Further reading Index

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