Description

Book Synopsis
In 1401, Christine de Pizan (1365-1430?), one of the most renowned and prolific woman writers of the Middle Ages, wrote a letter to the provost of Lille criticizing the highly popular and widely read "Romance of the Rose" for its blatant and unwarranted misogynistic depictions of women. This work gives context to this debate.

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"The Other Voice series is a timely contribution to our understanding of the nature and extent of the participation of women and profeminist supporters in early modern European culture and society.... This series highlights the interest of early modern women's literary lives, allowing wives, sisters, and mothers to step out from the shadows and assume the place that is rightfully theirs on the literary stage." - Pollie Bromilow, Journal of European Studies

Debate of the Romance of the Rose The Other Voice

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    A Paperback by Christine De Pizan, David F. Hult

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      View other formats and editions of Debate of the Romance of the Rose The Other Voice by Christine De Pizan

      Publisher: University of Chicago Press
      Publication Date: 4/15/2010 12:00:00 AM
      ISBN13: 9780226670133, 978-0226670133
      ISBN10: 0226670139
      Also in:
      Literary studies: ancient, classical

      Description

      Book Synopsis
      In 1401, Christine de Pizan (1365-1430?), one of the most renowned and prolific woman writers of the Middle Ages, wrote a letter to the provost of Lille criticizing the highly popular and widely read "Romance of the Rose" for its blatant and unwarranted misogynistic depictions of women. This work gives context to this debate.

      Trade Review
      "The Other Voice series is a timely contribution to our understanding of the nature and extent of the participation of women and profeminist supporters in early modern European culture and society.... This series highlights the interest of early modern women's literary lives, allowing wives, sisters, and mothers to step out from the shadows and assume the place that is rightfully theirs on the literary stage." - Pollie Bromilow, Journal of European Studies

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