Description

'Playwright David Ireland challenges people to draw lines between what they find funny and what they find outrageous' (Sydney Morning Herald) This first collection of plays by David Ireland brings together three of his most successful hits that have enjoyed numerous productions around the world alongside two previously unpublished plays: Half a Glass of Water: 'The dialogue is brutal and tender, horrific and humorous ... this is a tough, challenging work, undercut by Ireland's trademark black humour, which asks questions of what a successful post-conflict society looks like.' (Independent) The End of Hope: 'A freewheeling, majestically entertaining, all-too-brief hour that touches on everything from religion and identity to body dysmorphia' (Times) Cyprus Avenue: 'The most shocking play on the London stage ... a blackly comic examination of sectarian hatred and a subversive drama that has never been more relevant' (Gu

David Ireland Plays 1 Half a Glass of Water The End of Hope Ulster American Cyprus Avenue Sadie

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'Playwright David Ireland challenges people to draw lines between what they find funny and what they find outrageous' (Sydney Morning... Read more

    Publisher: Not Stated
    Publication Date: 1/1/1900
    ISBN13: 9781350320307, 978-1350320307
    ISBN10: 1350320307

    Description

    'Playwright David Ireland challenges people to draw lines between what they find funny and what they find outrageous' (Sydney Morning Herald) This first collection of plays by David Ireland brings together three of his most successful hits that have enjoyed numerous productions around the world alongside two previously unpublished plays: Half a Glass of Water: 'The dialogue is brutal and tender, horrific and humorous ... this is a tough, challenging work, undercut by Ireland's trademark black humour, which asks questions of what a successful post-conflict society looks like.' (Independent) The End of Hope: 'A freewheeling, majestically entertaining, all-too-brief hour that touches on everything from religion and identity to body dysmorphia' (Times) Cyprus Avenue: 'The most shocking play on the London stage ... a blackly comic examination of sectarian hatred and a subversive drama that has never been more relevant' (Gu

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