Description

Book Synopsis

Laurence Lieberman writes poems that successfully utilize techniques from every possible form of literature—including histories, travelogues, short stories, and epics. All the while, his lines maintain a deft balance of lyrical intensity, clear, methodical description, and the pure dialect of the characters living his poetry.

In Dark Songs: Slave House and Synagogue, Lieberman creates a narrative mosaic of the eastern Caribbean islands, ranging from St. Eustatius in the eighteenth century to the island of Grenada after the United States–led invasion in 1983. When he writes of African slaves, British governors, Dutch Jews, island guerillas, fallen Swiss nobility, and piratelike charter captains, the wealth of his details, the force, and often the truth behind his stories allow us to witness the whole human saga of the Caribbean.

With humor, absolute candor, and relentless observation, Lieberman has, as reviewer Samuel Maio says, “given is a new form of fiction in his poetry. He has created a singular art.”

Dark Songs: Slave House and Synagogue

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    A Paperback / softback by Laurence Lieberman

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      View other formats and editions of Dark Songs: Slave House and Synagogue by Laurence Lieberman

      Publisher: University of Arkansas Press
      Publication Date: 29/02/1996
      ISBN13: 9781557284105, 978-1557284105
      ISBN10: 1557284105

      Description

      Book Synopsis

      Laurence Lieberman writes poems that successfully utilize techniques from every possible form of literature—including histories, travelogues, short stories, and epics. All the while, his lines maintain a deft balance of lyrical intensity, clear, methodical description, and the pure dialect of the characters living his poetry.

      In Dark Songs: Slave House and Synagogue, Lieberman creates a narrative mosaic of the eastern Caribbean islands, ranging from St. Eustatius in the eighteenth century to the island of Grenada after the United States–led invasion in 1983. When he writes of African slaves, British governors, Dutch Jews, island guerillas, fallen Swiss nobility, and piratelike charter captains, the wealth of his details, the force, and often the truth behind his stories allow us to witness the whole human saga of the Caribbean.

      With humor, absolute candor, and relentless observation, Lieberman has, as reviewer Samuel Maio says, “given is a new form of fiction in his poetry. He has created a singular art.”

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