Description
Book SynopsisWhat does it mean to say that poetry is dark? How does the presence of darkness give meaning to literary works? Such questions sit at the centre of this study of Lord Byron, a man who has been characterised as intrinsically dark by generations of scholars. This is the first book to offer a comprehensive survey of Byron’s darkness, producing new and innovative readings of his poetry by exploring how darkness (both literal and figurative) helps to structure his work’s ideological topography and facilitates the exchange of ideas between its different ideological systems. Canvassing a variety of issues relevant to a number of different manifestations of darkness, the study explores such diverse topics as the relationship between sublime aesthetics and the gendering of desire, the connection between darkness and Byron’s Scottish nationalism and the influence of blackness on his engagement with the Orient. With such a broad focus in mind, it also engages with texts that represent Byron’s oeuvre in its broadest sense, engaging not only with canonical texts such as
Manfred and
Don Juan, but also selections from Byron’s juvenilia, the Oriental Tales and his letters and journals, as well as surveying the critical reviews that helped to influence the colour of his work and its later reception.
Table of ContentsContents: Lord Byron - Criticism and Interpretation – Studies in English Romanticism – Nineteenth Century British Literature – Ideology and text – Edmund Burke’s aesthetic and political theories – Julia Kristeva and abjection – Bisexuality in literature – Narcissism in literature – Lord Byron and Scotland – Scottish Literature and history – Authenticity and self-realisation – Racial politics – Gender, sexuality and race – Literary fragmentation – Construction of the hero – Gendering of the hero – Absence and nothingness in literature – Critical reception of texts – Incest in Romantic and Gothic literature – Gameplay and the structure of literature.
