Description
Book SynopsisChapter 1 - The Politics of Movement Appropriation: From Visual Art to Contemporary Dance.- Chapter 2 - Mauro Bigonzetti's Caravaggio (2008): Exploring painting techniques as choreographic devices.- Chapter 3 - Escapist-Escaping Performances of Hats Theatre, Belgrade.- Chapter 4 - From Page to Stage: Irish dance costumes and the use of illustrations from The Book of Kells.- Chapter 5 - Articulating Dancing Bodies: Social and Pictorial Representations in Early Indian Art.- Chapter 6 - Dancing Clay: on kinaesthetic experience and tactile materialization.- Chapter 7 - Process as Performance: The collaborative methods of choreographer, Merce Cunningham and Pop artist, Richard Hamilton.- Chapter 8 - From Physical Sensation to Digital Presentation: Exploring Interdisciplinary World Building.- Chapter 9 - Frozen Scenography: Extending Somatic Movement Practice through 3D- Scanning.
