Description

Dance plays an important role in many religious traditions, in rites of passage, processions, healing rituals or festivals. But it is also controversial, especially in Christianity. Colonial European Christian discourses tend to separate dance from religion(s) and spirituality. This volume explores dance as Third Space, following Homi Bhabha's postcolonial metaphor. The Inter-Dance approach combines interdisciplinary theoretical considerations with case studies. International experts examine dance controversies and discourses from the early church to World Christianity, as well as in Hasidic Judaism, Greek mysteries, Islamic Sufism, West African Togolese religions, and Afro-Brazilian Umbanda. Christian dance theologies are unfolded and the boundary-crossing potential of dance in interreligious and intercultural encounters is explored. The volume breaks new ground in how dance as ephemeral performative art, embodied thought and gendered discourse can transform studies of religion.

Dance as Third Space: Interreligious, Intercultural, and Interdisciplinary Debates on Dance and Religion(s)

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Hardback by Heike Walz

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Dance plays an important role in many religious traditions, in rites of passage, processions, healing rituals or festivals. But it... Read more

    Publisher: Vandenhoeck & Ruprecht GmbH & Co KG
    Publication Date: 01/11/2022
    ISBN13: 9783525568545, 978-3525568545
    ISBN10: 3525568541

    Number of Pages: 420

    Non Fiction , Art & Photography

    Description

    Dance plays an important role in many religious traditions, in rites of passage, processions, healing rituals or festivals. But it is also controversial, especially in Christianity. Colonial European Christian discourses tend to separate dance from religion(s) and spirituality. This volume explores dance as Third Space, following Homi Bhabha's postcolonial metaphor. The Inter-Dance approach combines interdisciplinary theoretical considerations with case studies. International experts examine dance controversies and discourses from the early church to World Christianity, as well as in Hasidic Judaism, Greek mysteries, Islamic Sufism, West African Togolese religions, and Afro-Brazilian Umbanda. Christian dance theologies are unfolded and the boundary-crossing potential of dance in interreligious and intercultural encounters is explored. The volume breaks new ground in how dance as ephemeral performative art, embodied thought and gendered discourse can transform studies of religion.

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