Description

Book Synopsis
Surveying a wide range of international productions, this collection of essays by established and emerging scholars investigates the important cultural work performed by repetition, or multiplicities, in film and television.

Trade Review
"This volume expands on Amanda Ann Klein’s American Film Cycles to open up an extremely fruitful approach to serial and related media phenomena. It will no doubt be adopted as a supplementary text for a wide range of courses in film and television studies." * Linda C. Badley, Professor of English, Middle Tennessee State University, and author of Lars von Trier and many other works on film *

Table of Contents
  • Acknowledgments
  • Chapter 1. Introduction (Amanda Ann Klein and R. Barton Palmer)
  • Chapter 2. The Kissing Cycle, Mashers, and (White) Women in the American City (Amanda Ann Klein)
  • Chapter 3. Descended from Hercules: Masculine Anxiety in the Peplum (Robert Rushing)
  • Chapter 4. The American Postwar Semidocumentary Cycle: Factual Dramatizations (R. Barton Palmer)
  • Chapter 5. Cycle Consciousness and the White Audience in Black Film Writing: The 1949–1950 "Race Problem" Cycle and the African American Press (Steven Doles)
  • Chapter 6. Vicious Cycle: Jaws and Revenge-of-Nature Films of the 1970s (Constantine Verevis)
  • Chapter 7. Familiar Otherness: On the Contemporary Cross-Cultural Remake (Chelsey Crawford)
  • Chapter 8. Anime's Dangerous Innocents: Millennial Anxieties, Gender Crises, and the Shōjo Body as a Weapon (Elizabeth Birmingham)
  • Chapter 9. It's Only a Film, Isn't It? Policy Paranoia Thrillers of the War on Terror (Vincent M. Gaine)
  • Chapter 10. Doing Dumbledore: Actor-Character Bonding and Accretionary Performance (Murray Pomerance)
  • Chapter 11. A Lagosian Lady Gaga: Cross-Cultural Identification in Nollywood's Anti-Biopic Cycle (Noah Tsika)
  • Chapter 12. Re-solving Crimes: A Cycle of TV Detective Partnerships (Sarah Kornfield)
  • Chapter 13. Smart TV: Showtime's "Bad Mommies" Cycle (Claire Perkins)
  • Chapter 14. My Generation(s): Cycles, Branding, and Renewal in E4's Skins (Faye Woods)
  • Chapter 15. Extended Attractions: Recut Trailers, Film Promotion, and Audience Desire (Kathleen Williams)
  • Chapter 16. Retro-Remaking: The 1980s Film Cycle in Contemporary Hollywood Cinema (Kathleen Loock)
  • Chapter 17. I Can't Lead This Vacation Anymore: Mumblecore's American Man (Amy Borden)
  • Chapter 18. Serialized Killers: Prebooting Horror in Bates Motel and Hannibal (Andrew Scahill)
  • List of Contributors
  • Index

Cycles Sequels Spinoffs Remakes and Reboots

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    A Paperback / softback by Amanda Ann Klein, R. Barton Palmer

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      View other formats and editions of Cycles Sequels Spinoffs Remakes and Reboots by Amanda Ann Klein

      Publisher: University of Texas Press
      Publication Date: 15/03/2016
      ISBN13: 9781477308172, 978-1477308172
      ISBN10: 1477308172

      Description

      Book Synopsis
      Surveying a wide range of international productions, this collection of essays by established and emerging scholars investigates the important cultural work performed by repetition, or multiplicities, in film and television.

      Trade Review
      "This volume expands on Amanda Ann Klein’s American Film Cycles to open up an extremely fruitful approach to serial and related media phenomena. It will no doubt be adopted as a supplementary text for a wide range of courses in film and television studies." * Linda C. Badley, Professor of English, Middle Tennessee State University, and author of Lars von Trier and many other works on film *

      Table of Contents
      • Acknowledgments
      • Chapter 1. Introduction (Amanda Ann Klein and R. Barton Palmer)
      • Chapter 2. The Kissing Cycle, Mashers, and (White) Women in the American City (Amanda Ann Klein)
      • Chapter 3. Descended from Hercules: Masculine Anxiety in the Peplum (Robert Rushing)
      • Chapter 4. The American Postwar Semidocumentary Cycle: Factual Dramatizations (R. Barton Palmer)
      • Chapter 5. Cycle Consciousness and the White Audience in Black Film Writing: The 1949–1950 "Race Problem" Cycle and the African American Press (Steven Doles)
      • Chapter 6. Vicious Cycle: Jaws and Revenge-of-Nature Films of the 1970s (Constantine Verevis)
      • Chapter 7. Familiar Otherness: On the Contemporary Cross-Cultural Remake (Chelsey Crawford)
      • Chapter 8. Anime's Dangerous Innocents: Millennial Anxieties, Gender Crises, and the Shōjo Body as a Weapon (Elizabeth Birmingham)
      • Chapter 9. It's Only a Film, Isn't It? Policy Paranoia Thrillers of the War on Terror (Vincent M. Gaine)
      • Chapter 10. Doing Dumbledore: Actor-Character Bonding and Accretionary Performance (Murray Pomerance)
      • Chapter 11. A Lagosian Lady Gaga: Cross-Cultural Identification in Nollywood's Anti-Biopic Cycle (Noah Tsika)
      • Chapter 12. Re-solving Crimes: A Cycle of TV Detective Partnerships (Sarah Kornfield)
      • Chapter 13. Smart TV: Showtime's "Bad Mommies" Cycle (Claire Perkins)
      • Chapter 14. My Generation(s): Cycles, Branding, and Renewal in E4's Skins (Faye Woods)
      • Chapter 15. Extended Attractions: Recut Trailers, Film Promotion, and Audience Desire (Kathleen Williams)
      • Chapter 16. Retro-Remaking: The 1980s Film Cycle in Contemporary Hollywood Cinema (Kathleen Loock)
      • Chapter 17. I Can't Lead This Vacation Anymore: Mumblecore's American Man (Amy Borden)
      • Chapter 18. Serialized Killers: Prebooting Horror in Bates Motel and Hannibal (Andrew Scahill)
      • List of Contributors
      • Index

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