Description
Book SynopsisChapter 1: Introduction.- Chapter 2: Direct government contribution to culture: legitimacy, financial mechanisms and level of spending compared internationally.- Chapter 3: Funding the Arts and Culture Through Tax Incentives.- Chapter 4: Philanthropic fundraising and sponsorship: the arts marketing perspective on financing cultural projects based in the North American Context.- Chapter 5: Patronage in the arts: theories and contemporary challenges.- Chapter 6: Copyright’s Contribution to Rewarding Creators and the Digitalization Paradox.- Chapter 7: Trends in Crowdfunding for Arts and Culture.- Chapter 8: Matched-Money in the Arts and Culture: Conceptualising Online and Offline Matchfunding Models.- Chapter 9: “I would do anything for funds, but I won’t do that”: On artists' reluctance to adopt investment crowdfunding and possible ways to overcome it.- Chapter 10: The rise of online crowd-patronage: models, challenges and providing security to the creative worker.- Chapter 11: Beyond Likes: Social Media Remuneration and Financing of Digital Cultural Production.- Chapter 12: Making Money from Music Streaming: Benefits and Barriers.- Chapter 13: Digital funding and financing in museums and cultural heritage.- Chapter 14: Public-Private Partnerships: when different governance tools stimulate alternative funding of the heritage sector and beyond.- Chapter 15: (Co-)Creating from ‘nothing’, (co-)producing digitally: The art of funding cultural projects through bottom-up collaboration and co-creation.- Chapter 16: Tainted Philanthropy in Arts Funding: The Case Study of National Portrait Gallery in London and The Sackler Trust.- Chapter 17: Securing funding for independent creative firms: Insights from video game monetization.- Chapter 18: Impact Investment for Cultural Projects: A Short Exploration.- Chapter 19: Conclusion.
