Description
Book SynopsisExamines Langston Hughes's associations with a number of black writers from the Caribbean and Africa, exploring the implications of recognising these multiple facets of the African American literary icon and of taking a truly transnational approach to his life, work, and influence.
Trade ReviewIn this important, original, thoroughly researched work, Shane Graham documents Langston Hughes’s extensive role and influence in the mid-twentieth-century rise of postcolonial Caribbean and African literatures. Drawing on extensive archival research, a clearly articulated theoretical framework, and persuasive close textual analyses, he explains how Hughes’s representations of Africa and blackness changed over time as a result of his interactions with writers from Africa and the Caribbean. The scholarship is solid, and exhibits familiarity with and command of an impressive range of primary sources as well as secondary sources on black Atlantic literatures, translation, and postcolonial theory.
