Description

Book Synopsis
Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.

Trade Review

“Cultural Appropriation and the Arts, by James O. Young, provides an analytical, comprehensive overview of ethical and aesthetic issues concerning cultural appropriation.” (Journal of Cult Economy, 25 March 2011)



Table of Contents

Preface ix

1 What Is Cultural Appropriation? 1

Art, Culture, and Appropriation 1

Types of Cultural Appropriation 5

What is a Culture? 9

Objections to Cultural Appropriation 18

In Praise of Cultural Appropriation 27

2 The Aesthetics of Cultural Appropriation 32

The Aesthetic Handicap Thesis 32

The Cultural Experience Argument 34

Aesthetic Properties and Cultural Context 41

Authenticity and Appropriation 44

Authentic Appropriation 46

Cultural Experience and Subject Appropriation 55

Appropriation and the Authentic Expression of a Culture 60

3 Cultural Appropriation as Theft 63

Harm by Theft 63

Possible Owners of Artworks 64

Cultures and Inheritance 68

Lost and Abandoned Property 70

Cultural Property and Traditional Law 74

Collective Knowledge and Collective Property 78

Ownership of Land and Ownership of Art 85

Property and Value to a Culture 88

Cultures and Intellectual Property 93

Some Conclusions About Ownership and Appropriation 97

The Rescue Argument 102

4 Cultural Appropriation as Assault 106

Other Forms of Harm 106

Cultural Appropriation and Harmful Misrepresentation 107

Harm and Accurate Representation 113

Cultural Appropriation and Economic Opportunity 114

Cultural Appropriation and Assimilation 118

Art, Insignia, and Cultural Identity 120

Cultural Appropriation and Privacy 125

5 Profound Offence and Cultural Appropriation 129

Harm, Offence, and Profound Offence 129

Examples of Offensive Cultural Appropriation 131

The Problem and the Key to its Solution 134

Social Value and Offensive Art 136

Freedom of Expression 137

The Sacred and the Offensive 141

Time and Place Restrictions 143

Toleration of Offensive Art 145

Reasonable and Unreasonable Offence 147

Conclusion: Responding to Cultural Appropriation 152

Summing Up 152

Supporting Minority Artists 154

Envoy 157

Bibliography of Works Cited and Consulted 159

Index 166

Cultural Appropriation and the Arts

    Product form

    £27.50

    Includes FREE delivery

    RRP £28.95 – you save £1.45 (5%)

    Order before 4pm tomorrow for delivery by Wed 8 Jul 2026.

    A Paperback / softback by James O. Young

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Cultural Appropriation and the Arts by James O. Young

      Publisher: John Wiley and Sons Ltd
      Publication Date: 15/01/2010
      ISBN13: 9781444332711, 978-1444332711
      ISBN10: 1444332716
      Also in:
      Philosophy

      Description

      Book Synopsis
      Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.

      Trade Review

      “Cultural Appropriation and the Arts, by James O. Young, provides an analytical, comprehensive overview of ethical and aesthetic issues concerning cultural appropriation.” (Journal of Cult Economy, 25 March 2011)



      Table of Contents

      Preface ix

      1 What Is Cultural Appropriation? 1

      Art, Culture, and Appropriation 1

      Types of Cultural Appropriation 5

      What is a Culture? 9

      Objections to Cultural Appropriation 18

      In Praise of Cultural Appropriation 27

      2 The Aesthetics of Cultural Appropriation 32

      The Aesthetic Handicap Thesis 32

      The Cultural Experience Argument 34

      Aesthetic Properties and Cultural Context 41

      Authenticity and Appropriation 44

      Authentic Appropriation 46

      Cultural Experience and Subject Appropriation 55

      Appropriation and the Authentic Expression of a Culture 60

      3 Cultural Appropriation as Theft 63

      Harm by Theft 63

      Possible Owners of Artworks 64

      Cultures and Inheritance 68

      Lost and Abandoned Property 70

      Cultural Property and Traditional Law 74

      Collective Knowledge and Collective Property 78

      Ownership of Land and Ownership of Art 85

      Property and Value to a Culture 88

      Cultures and Intellectual Property 93

      Some Conclusions About Ownership and Appropriation 97

      The Rescue Argument 102

      4 Cultural Appropriation as Assault 106

      Other Forms of Harm 106

      Cultural Appropriation and Harmful Misrepresentation 107

      Harm and Accurate Representation 113

      Cultural Appropriation and Economic Opportunity 114

      Cultural Appropriation and Assimilation 118

      Art, Insignia, and Cultural Identity 120

      Cultural Appropriation and Privacy 125

      5 Profound Offence and Cultural Appropriation 129

      Harm, Offence, and Profound Offence 129

      Examples of Offensive Cultural Appropriation 131

      The Problem and the Key to its Solution 134

      Social Value and Offensive Art 136

      Freedom of Expression 137

      The Sacred and the Offensive 141

      Time and Place Restrictions 143

      Toleration of Offensive Art 145

      Reasonable and Unreasonable Offence 147

      Conclusion: Responding to Cultural Appropriation 152

      Summing Up 152

      Supporting Minority Artists 154

      Envoy 157

      Bibliography of Works Cited and Consulted 159

      Index 166

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account