Description

Book Synopsis
This text explores the 1823 slave rebellion in Demerara (now Guyana) - one of the largest in history. The 60,000 black slaves who rose up against their British masters were brutally put down. The book looks at the conflict which gave the rebellion life and the forces which finally ended slavery.

Trade Review
In Crowns of Glory, Tears of Blood Emilia Viotti da Costa tells the story of the Demerara slave rebellion of 1823, and she tells it very well. Her narrative, vividly written, utilizes multiple sources to tell the story from different points of view. Her book comes out of a tradition of writing inspired both by marxist and nationalist historiographies and has none of the trappings of a postcolonial text. The older questions of historical determination, of causality and of agency meet the new agendas of cultural history in a deeply satisfying narrative. * History Workshop Journal *

Crowns of Glory Tears of Blood

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A Paperback by Emilia Viotti da Costa

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    View other formats and editions of Crowns of Glory Tears of Blood by Emilia Viotti da Costa

    Publisher: Oxford University Press Inc
    Publication Date: 10/2/1997 12:00:00 AM
    ISBN13: 9780195106565, 978-0195106565
    ISBN10: 0195106563

    Description

    Book Synopsis
    This text explores the 1823 slave rebellion in Demerara (now Guyana) - one of the largest in history. The 60,000 black slaves who rose up against their British masters were brutally put down. The book looks at the conflict which gave the rebellion life and the forces which finally ended slavery.

    Trade Review
    In Crowns of Glory, Tears of Blood Emilia Viotti da Costa tells the story of the Demerara slave rebellion of 1823, and she tells it very well. Her narrative, vividly written, utilizes multiple sources to tell the story from different points of view. Her book comes out of a tradition of writing inspired both by marxist and nationalist historiographies and has none of the trappings of a postcolonial text. The older questions of historical determination, of causality and of agency meet the new agendas of cultural history in a deeply satisfying narrative. * History Workshop Journal *

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