Description

Book Synopsis
"Cross-Training in the Voice Studio: A Balancing Act'' is an innovative resource for teachers and students of singing in today's evolving professional landscape. Saunders-Barton and Spivey offer an inside view of their applied studios and the results of the cross-training process. As vocal performance demands continue to change, singers must adapt in order to stay competitive in the job market. The authors address this challenge and provide a practical technical approach to developing the most flexible and resilient singing voices-the essence of their philosophy of "bel canto can belto," embracing classical and vernacular styles. Key Features *In-depth chapter on resonance/registration for voice building *Cross-training in the academic vs. the private studio *Cross-training with repertoire *Coverage of multi-disciplinary training: how acting, speech, movement, and dance support studio effort *PluralPlus Companion Website with student recordings to enhance concepts within the text ''Cross Training in the Voice Studio: A Balancing Act'' is a must-read for anyone in the singing profession seeking insight on cross-training.

Table of Contents
Chapter 1: How Did We Come to This? Chapter 2:The Balancing Act of Registration and Resonance. Chapter 3: Repertoire: How the Styles Serve Each Other. Chapter 4: Cross-Training vs. Crossover. Chapter 5: From the Ivory Tower to the Trenches. Chapter 6: It Takes a Village. Chapter 7:The Way Forward.

Cross-Training in the Voice Studio: A Balancing

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    A Paperback / softback by Norman Spivey, Mary Saunders-Barton

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      Publisher: Plural Publishing Inc
      Publication Date: Publication Date: 18/05/2018
      ISBN13: 9781635500370, 978-1635500370
      ISBN10: 1635500370

      Description

      Book Synopsis
      "Cross-Training in the Voice Studio: A Balancing Act'' is an innovative resource for teachers and students of singing in today's evolving professional landscape. Saunders-Barton and Spivey offer an inside view of their applied studios and the results of the cross-training process. As vocal performance demands continue to change, singers must adapt in order to stay competitive in the job market. The authors address this challenge and provide a practical technical approach to developing the most flexible and resilient singing voices-the essence of their philosophy of "bel canto can belto," embracing classical and vernacular styles. Key Features *In-depth chapter on resonance/registration for voice building *Cross-training in the academic vs. the private studio *Cross-training with repertoire *Coverage of multi-disciplinary training: how acting, speech, movement, and dance support studio effort *PluralPlus Companion Website with student recordings to enhance concepts within the text ''Cross Training in the Voice Studio: A Balancing Act'' is a must-read for anyone in the singing profession seeking insight on cross-training.

      Table of Contents
      Chapter 1: How Did We Come to This? Chapter 2:The Balancing Act of Registration and Resonance. Chapter 3: Repertoire: How the Styles Serve Each Other. Chapter 4: Cross-Training vs. Crossover. Chapter 5: From the Ivory Tower to the Trenches. Chapter 6: It Takes a Village. Chapter 7:The Way Forward.

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