Description

Book Synopsis

A scholarly exploration of Elmore Leonardprovides original essays and fresh insights on the author's works and influence

Labelled as the closest thing America has to a national novelist, Elmore Leonard''s clean and direct writing, engaging bad guys, and deadpan humor resonate with readers around the nation and throughout the world. Popular films based on his books continue to introduce new audiences to Leonard''s unique way of engaging with complex themes of American culture and pop-culture history. Yet surprisingly, academic treatments of his writing are almost nonexistent. Critical Essays on Elmore Leonard is an original anthology that covers the topics, themes, literary and narrative style, and enduring influences of one of the finest crime writers in the history of the genre.

This unique collection of essays explores the ways in which Leonard's work reflects America''s dynamic, ever-changing culture. Divided into two parts, the book first examines maj

Table of Contents

Notes on Contributors vii

Introduction 1
Charles J. Rzepka

Part I Topics and Themes 9

1 Nostalgia and Authenticity in Elmore Leonard’s Conflicted Heroes 11
Michael Scrivener

2 Elmore Leonard and the Romantic Comedy, or “Get Some Love into It” 27
Michael Sinowitz

3 The Sense of Place in Elmore Leonard’s Crime Fiction 41
David Geherin

4 Visual Clues: Dress, Appearance, and Perception in Elmore Leonard’s Crime Fiction 57
Frankie Y. Bailey

5 The Mozart of the Motor City: Elmore Leonard and Noir Buffa 73
Kris Mecholsky

Part II Five Case Studies 93

6 The Man with Five Names: Hombre on Race and the Cinematic Western 95
Korine Powers

7 Pitching Cinematic Identification in Get Shorty 113
Philip Derbesy

8 “It’s the way they’re done”: Style and Legerdemain in Out of Sight 127
Charles J. Rzepka

9 Moral Luck and Determinism in Rum Punch 147
Rossitsa Terzieva-Artemis

10 Disjointed Djibouti: Elmore Leonard’s Final Metafiction 165
George Grella and Charles J. Rzepka

Index 183

Critical Essays on Elmore Leonard

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    A Hardback by Charles J. Rzepka

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      View other formats and editions of Critical Essays on Elmore Leonard by Charles J. Rzepka

      Publisher: John Wiley and Sons Ltd
      Publication Date: Publication Date: 27/02/2020
      ISBN13: 9781119576693, 978-1119576693
      ISBN10: 1119576695

      Description

      Book Synopsis

      A scholarly exploration of Elmore Leonardprovides original essays and fresh insights on the author's works and influence

      Labelled as the closest thing America has to a national novelist, Elmore Leonard''s clean and direct writing, engaging bad guys, and deadpan humor resonate with readers around the nation and throughout the world. Popular films based on his books continue to introduce new audiences to Leonard''s unique way of engaging with complex themes of American culture and pop-culture history. Yet surprisingly, academic treatments of his writing are almost nonexistent. Critical Essays on Elmore Leonard is an original anthology that covers the topics, themes, literary and narrative style, and enduring influences of one of the finest crime writers in the history of the genre.

      This unique collection of essays explores the ways in which Leonard's work reflects America''s dynamic, ever-changing culture. Divided into two parts, the book first examines maj

      Table of Contents

      Notes on Contributors vii

      Introduction 1
      Charles J. Rzepka

      Part I Topics and Themes 9

      1 Nostalgia and Authenticity in Elmore Leonard’s Conflicted Heroes 11
      Michael Scrivener

      2 Elmore Leonard and the Romantic Comedy, or “Get Some Love into It” 27
      Michael Sinowitz

      3 The Sense of Place in Elmore Leonard’s Crime Fiction 41
      David Geherin

      4 Visual Clues: Dress, Appearance, and Perception in Elmore Leonard’s Crime Fiction 57
      Frankie Y. Bailey

      5 The Mozart of the Motor City: Elmore Leonard and Noir Buffa 73
      Kris Mecholsky

      Part II Five Case Studies 93

      6 The Man with Five Names: Hombre on Race and the Cinematic Western 95
      Korine Powers

      7 Pitching Cinematic Identification in Get Shorty 113
      Philip Derbesy

      8 “It’s the way they’re done”: Style and Legerdemain in Out of Sight 127
      Charles J. Rzepka

      9 Moral Luck and Determinism in Rum Punch 147
      Rossitsa Terzieva-Artemis

      10 Disjointed Djibouti: Elmore Leonard’s Final Metafiction 165
      George Grella and Charles J. Rzepka

      Index 183

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