Description
Book SynopsisThis book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde
. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of ‘Japanese culture’. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
Trade Review‘Systematically and eloquently taking us through the most important thinking on design and its place in our symbolic and social order, Ory Bartal brings out the myriad social critiques in Japanese material culture. He ranges from the new aesthetic milieu of the postwar miracle to the pioneering designs of Ishioka Eiko and Suzuki Hachiro, the radical fashions of Rei Kawakubo, the Arcadian retail vision of Mujirushi Ryokin, the theatrically phantasmagorical designs of Hironen, and then into the digital age of design in the twenty-first century. Richly illustrated, entertaining and insightful, this book is essential for anyone seriously interested in Japanese design.’
Toby Slade, Keio University
'Bartal uses critical theory to present to the reader the outcome of multilingual scholarship, which has resulted in a wealth of information and detail that deserves attention, recognition, and further exploration.'
Design and Culture review
'[…] Bartal’s extensive knowledge of the designers, institutions, and organizations that created the complex and diverse landscape of design and media in postwar Japan is evident. Bartal’s analysis shows thoughtful and close observation, rich with theoretical references from a multitude of disciplines. This book should be celebrated for its intensely researched and engaging material that astutely weaves together the seemingly discordant waves of designers and movements with the complex sociopolitical context of postwar Japan.'
CAA Reviews
'One of the clear strengths of the book is how it supports a broad understanding of design that enables the reader to fully grasp the socio-political, economic and cultural context that the author explores throughout the six chapters. Bartal includes discussions about graphic design, fashion photography, street styles, high fashion, food packaging, furniture design and finally digital design.'
Journal of Design History, Volume 35, Issue 2, June 2022
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Table of ContentsIntroduction
1 Postmodern critiques, Japan's economic miracle, and the new aesthetic milieu
2 The 1968 social uprising and subversive advertising design in Japan: the work of Ishioka Eiko and Suzuki Hachiro
3 From cute to Rei Kawakaubo: fashion and protest
4 Mujirushi Ryohin and the absence of style
5 Hironen and the representation of the other
6 Digital design as social and critical design in the twenty-first century
Index
