Description

Book Synopsis

Through an interdisciplinary conversation with contributors from social anthropology, religious studies, film studies, literary studies, cultural studies, and history, Crafting Chinese Memories is a novel book which addresses how works of art shape memories, and offers new ways of conceptualising storytelling, memory-making, art, and materiality. It explores the memories of artists, filmmakers, novelists, storytellers, and persons who come to terms with their own histories even as they reveal the social memories of watershed events in modern China.



Trade Review

“An ambitious, original interdisciplinary project of memory studies that brings together contributions from several academic disciplines – art, film, literature, history, and anthropology. Its highly interesting case studies investigate how memories about/in modern and contemporary China are made through various forms of storytelling and embedded in their materiality.” • Rui Kunze, Friedrich-Alexander Universität Erlangen-Nürnberg



Table of Contents

List of Illustrations

Foreword: Conceptualising Chinese Memories
Jialin Liu and Raphael Woolf

Introduction: Materiality, Imagination and the Memorable
Katherine Swancutt

Part I: Curating Memories through Art and Film

Chapter 1. The Memory Palace of a Chinese Painter
Benoît Vermander

Chapter 2. Jia Zhangke’s Memory Project, 24 City: Rewriting History, Rethinking Historiography
Chris Berry

Part II: Framing Memories through Literature and the Body

Chapter 3. ‘Swimming against the Current’: The Mediation of Cultural Memory in the Writings by Christa Wolf and Ding Ling
Yejun Zou

Chapter 4. Chinese Body-Expression and Cultural Memory in Mo Yan’s Big Breasts & Wide Hips
Wei Luan

Chapter 5. Remembering Statelessness in Food Stories from Jewish Shanghai
Anna Reading

Part III: Propagating Memories through Storytelling

Chapter 6. From Personal Connections to Mutual Trust: Building Memories with the Children of the Chinese Staff of the Chinese Maritime Customs Service
Chihyun Chang

Chapter 7. Jailhouse Blues, Storytelling, and Becoming the Stuff of Legends in Southwest China
Katherine Swancutt and Jiarimuji

Conclusion: Layers, Traces, Fields, and Storehouses of Memory
Katherine Swancutt

Index

Crafting Chinese Memories: The Art and

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    A Hardback by Katherine Swancutt

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      Publisher: Berghahn Books
      Publication Date: Publication Date: 15/10/2021
      ISBN13: 9781800732377, 978-1800732377
      ISBN10: 1800732376

      Description

      Book Synopsis

      Through an interdisciplinary conversation with contributors from social anthropology, religious studies, film studies, literary studies, cultural studies, and history, Crafting Chinese Memories is a novel book which addresses how works of art shape memories, and offers new ways of conceptualising storytelling, memory-making, art, and materiality. It explores the memories of artists, filmmakers, novelists, storytellers, and persons who come to terms with their own histories even as they reveal the social memories of watershed events in modern China.



      Trade Review

      “An ambitious, original interdisciplinary project of memory studies that brings together contributions from several academic disciplines – art, film, literature, history, and anthropology. Its highly interesting case studies investigate how memories about/in modern and contemporary China are made through various forms of storytelling and embedded in their materiality.” • Rui Kunze, Friedrich-Alexander Universität Erlangen-Nürnberg



      Table of Contents

      List of Illustrations

      Foreword: Conceptualising Chinese Memories
      Jialin Liu and Raphael Woolf

      Introduction: Materiality, Imagination and the Memorable
      Katherine Swancutt

      Part I: Curating Memories through Art and Film

      Chapter 1. The Memory Palace of a Chinese Painter
      Benoît Vermander

      Chapter 2. Jia Zhangke’s Memory Project, 24 City: Rewriting History, Rethinking Historiography
      Chris Berry

      Part II: Framing Memories through Literature and the Body

      Chapter 3. ‘Swimming against the Current’: The Mediation of Cultural Memory in the Writings by Christa Wolf and Ding Ling
      Yejun Zou

      Chapter 4. Chinese Body-Expression and Cultural Memory in Mo Yan’s Big Breasts & Wide Hips
      Wei Luan

      Chapter 5. Remembering Statelessness in Food Stories from Jewish Shanghai
      Anna Reading

      Part III: Propagating Memories through Storytelling

      Chapter 6. From Personal Connections to Mutual Trust: Building Memories with the Children of the Chinese Staff of the Chinese Maritime Customs Service
      Chihyun Chang

      Chapter 7. Jailhouse Blues, Storytelling, and Becoming the Stuff of Legends in Southwest China
      Katherine Swancutt and Jiarimuji

      Conclusion: Layers, Traces, Fields, and Storehouses of Memory
      Katherine Swancutt

      Index

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