Description

Book Synopsis
Drawn from the Mint Museum of Art’s renowned permanent collection of craft and design in all media—ceramic, pottery, wood, metal, glass, fibre, textiles and design—Craft in the Laboratory highlights how contemporary artists use STEM (science, technology, engineering and mathematics) processes and principles when creating their work. Kate Malone’s knowledge of the chemistry of clay bodies and glazes is employed in her production of sculptures such as Mr. and Mrs. Tutti Atomic. Douglas Harling made Vishnu Dreams using the ancient technique of granulation, aided by his understanding of the roles of surface tension, oxygen reduction, and eutectic bonds in fusing gold granules to a surface. Zoltán Bohus carefully planned the layers of glass in Stratofera on paper before creating it, using his knowledge of geometry and the prismatic qualities of glass. The volume includes essays that discuss the technical aspects of materials and processes.

Table of Contents
Sponsors’ Statement; Foreword by Todd A. Herman; Introduction: under the Microscope by Annie Carlano; Thoughts on Making by Zoe Laughlin; The Art and Science of Knowing Things by Hideo Mabuchi; The Studio as Laboratory by Rebecca E. Elliot; Observations by Joel Smeltzer; Endnotes; Catalogue; Acknowledgments by Annie Carlano and Rebecca E. Elliot

Craft in the Laboratory: The Science of Making

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    A Hardback by Rebecca Elliot, Zoe Laughlin, Hideo Mabuchi

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      Publisher: D Giles Ltd
      Publication Date: 01/02/2022
      ISBN13: 9781911282723, 978-1911282723
      ISBN10: 1911282727

      Description

      Book Synopsis
      Drawn from the Mint Museum of Art’s renowned permanent collection of craft and design in all media—ceramic, pottery, wood, metal, glass, fibre, textiles and design—Craft in the Laboratory highlights how contemporary artists use STEM (science, technology, engineering and mathematics) processes and principles when creating their work. Kate Malone’s knowledge of the chemistry of clay bodies and glazes is employed in her production of sculptures such as Mr. and Mrs. Tutti Atomic. Douglas Harling made Vishnu Dreams using the ancient technique of granulation, aided by his understanding of the roles of surface tension, oxygen reduction, and eutectic bonds in fusing gold granules to a surface. Zoltán Bohus carefully planned the layers of glass in Stratofera on paper before creating it, using his knowledge of geometry and the prismatic qualities of glass. The volume includes essays that discuss the technical aspects of materials and processes.

      Table of Contents
      Sponsors’ Statement; Foreword by Todd A. Herman; Introduction: under the Microscope by Annie Carlano; Thoughts on Making by Zoe Laughlin; The Art and Science of Knowing Things by Hideo Mabuchi; The Studio as Laboratory by Rebecca E. Elliot; Observations by Joel Smeltzer; Endnotes; Catalogue; Acknowledgments by Annie Carlano and Rebecca E. Elliot

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