Description

Book Synopsis
This book provides an interdisciplinary introduction to the Neapolitan Baroque, through original and in-depth interpretations of pivotal masterpieces of Neapolitan art, literature, philosophy, theater. The book also presents the city of Naples as a cultural space in which the body functions as a visual, literary, and urban metaphor. By examining the works of Giordano Bruno, Caravaggio, Giambattista Basile, Silvio Fiorillo and Raimondo di Sangro, Principe di San Severo, the essays comprising this volume show the contribution of these world renowned figures to the Baroque imagery of Naples, but also highlight the impact the city had on their work. Finally, the book stirs reflection on the enduring presence and current revival of the Neapolitan Baroque, by looking at contemporary culture and the cinematic adaptation of baroque works, such as Matteo Garrone's Tale of Tales.

Trade Review
Corporeality and Performativity in Baroque Naples takes readers to a captivating Italian destination, while tracing new thought-provoking routes connecting this seventeenth-century Mediterranean city to current theoretical perspectives. Philosophy, folktales, science, esotericism, visual and literary languages intermix in this volume of collected essays, allowing readers to appreciate the corporeal tradition of the Neapolitan Baroque and its rich cultural heritage. -- Danila Cannamela, University of St. Thomas
Alessandro Giardino has gathered together several fascinating and well-documented essays by scholars interested in the connection between the Baroque and the city of Naples. Ranging from Caravaggio to Matteo Garrone, from Giordano Bruno to Giambattista Basile, Corporeality and Performativity in Baroque Naples offers an interdisciplinary and compelling perspective on Naples as a cultural space through the prism of the body. Equally thought-provoking is its insistence on the popular notion of ‘the body of Naples’ regarded as a visual, sexual, and urban metaphor. This volume will be of great interest to readers concerned with the particular baroque aesthetic that characterizes all Neapolitan cultural expressions. -- Gian-Maria Annovi, University of Southern California

Table of Contents
Introduction Alessandro Giardino Chapter 1: Giordano Bruno: Between the Renaissance and Baroque Lara Harwood-Ventura Chapter 2: Caravaggio: Women from the Margins Alessandro Giardino Chapter 3: “A Woodsy Scene:” Sexual Innuendoes and Eroticism in Giambattista Basile’s Toponomastic Marino Forlino Chapter 4: Pulcinella and Capitan Matamoros: Staging the Body of Naples in a Cloak-and-Dagger Neapolitan Drama Marcella Salvi Chapter 5: The Prince of San Severo’s Esoteric Baroque: Body and Soul in the Museum and Cappella di San Severo Clorinda Donato Chapter 6: Matteo Garrone’s The Tale of Tales: Visual Metaphors and Transmedial Storytelling Carmela Benedetta Scala

Corporeality and Performativity in Baroque Naples

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    A Hardback by Clorinda Donato, Marino Forlino

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      View other formats and editions of Corporeality and Performativity in Baroque Naples by

      Publisher: Lexington Books
      Publication Date: 1/8/2017 12:11:00 AM
      ISBN13: 9781498563987, 978-1498563987
      ISBN10: 1498563988

      Description

      Book Synopsis
      This book provides an interdisciplinary introduction to the Neapolitan Baroque, through original and in-depth interpretations of pivotal masterpieces of Neapolitan art, literature, philosophy, theater. The book also presents the city of Naples as a cultural space in which the body functions as a visual, literary, and urban metaphor. By examining the works of Giordano Bruno, Caravaggio, Giambattista Basile, Silvio Fiorillo and Raimondo di Sangro, Principe di San Severo, the essays comprising this volume show the contribution of these world renowned figures to the Baroque imagery of Naples, but also highlight the impact the city had on their work. Finally, the book stirs reflection on the enduring presence and current revival of the Neapolitan Baroque, by looking at contemporary culture and the cinematic adaptation of baroque works, such as Matteo Garrone's Tale of Tales.

      Trade Review
      Corporeality and Performativity in Baroque Naples takes readers to a captivating Italian destination, while tracing new thought-provoking routes connecting this seventeenth-century Mediterranean city to current theoretical perspectives. Philosophy, folktales, science, esotericism, visual and literary languages intermix in this volume of collected essays, allowing readers to appreciate the corporeal tradition of the Neapolitan Baroque and its rich cultural heritage. -- Danila Cannamela, University of St. Thomas
      Alessandro Giardino has gathered together several fascinating and well-documented essays by scholars interested in the connection between the Baroque and the city of Naples. Ranging from Caravaggio to Matteo Garrone, from Giordano Bruno to Giambattista Basile, Corporeality and Performativity in Baroque Naples offers an interdisciplinary and compelling perspective on Naples as a cultural space through the prism of the body. Equally thought-provoking is its insistence on the popular notion of ‘the body of Naples’ regarded as a visual, sexual, and urban metaphor. This volume will be of great interest to readers concerned with the particular baroque aesthetic that characterizes all Neapolitan cultural expressions. -- Gian-Maria Annovi, University of Southern California

      Table of Contents
      Introduction Alessandro Giardino Chapter 1: Giordano Bruno: Between the Renaissance and Baroque Lara Harwood-Ventura Chapter 2: Caravaggio: Women from the Margins Alessandro Giardino Chapter 3: “A Woodsy Scene:” Sexual Innuendoes and Eroticism in Giambattista Basile’s Toponomastic Marino Forlino Chapter 4: Pulcinella and Capitan Matamoros: Staging the Body of Naples in a Cloak-and-Dagger Neapolitan Drama Marcella Salvi Chapter 5: The Prince of San Severo’s Esoteric Baroque: Body and Soul in the Museum and Cappella di San Severo Clorinda Donato Chapter 6: Matteo Garrone’s The Tale of Tales: Visual Metaphors and Transmedial Storytelling Carmela Benedetta Scala

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