Description

Book Synopsis
A guide to the contemporary art of quilting for quilters and collectors alike. It illustrates the various styles of quilt art, introduces artists, and discusses aspects of their art. It gives an overview of exhibition and marketing opportunities and lists art quilt organizations at the national, regional, and local levels.

Trade Review

Today's quilts are not just family heirlooms stored in a trunk. The concept of quilts as an art medium has created the terms "quilt art," "contemporary quilts," "studio quilts," and "art quilts." Quilts have become fiber or textile arts, part of a larger movement of crafts to fine arts status. Quilters are now artists who make wall hangings, study color and design, and display their work in galleries. Quilts are made with nontraditional materials and can be enhanced with embellishments, paint, photo transfers, or other media. Collectors and museums are acquiring quilts and displaying them as art. In this handsome book, independent scholar Lenkowsky reviews the history of the studio quilt and offers a critical discussion of the work of 19 prominent quilt artists. This very useful volume provides a guide for buyers and collectors, a glossary, a short bibliography, and biographies of the featured artists. Also offered is information on how to learn more about collecting, buying, and commissioning studio quilts, along with material on practical matters such as displaying, storing, and insuring quilts. Lushly illustrated, this volume is a feast for the eyes that will help to inspire not only quilters but also artists in other media. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers.

-- N. J. Quinlan, Nova Southeastern University * Choice *

"This is a well-researched and beautifully illustrated introduction to quilt art, a field that has emerged from its historic origins and flourishes today as a dynamic expression of modern art. Winter 2009"

* Surface Design *

"This oversized book is full of vibrant colors of a few traditional quilts, but the majority are imaginative designs and creations of contemporary men and women.August 1, 2008"

-- Florence Waskelewicz Clowes * Polish American Journal *

"Contemporary Quilt Art is a big, erudite, and beautifully produced book in the style done so well by university presses.... [T]his book is a must for any private or guild quilt library.September 3, 2008"

* Quilt Channel *

"The book exudes a conservative and distinguished spirit, offers impeccable print quality, and is crammed with information for quilters and their cultural community; thus it merits inclusion in any quilt library!"

* Textile Forum *

"Lenkowsky's survey of the studio-quilt movement makes an important contribution to scholarship on the evolution and current status of the medium.Nov/Dec 2008"

* Fiberarts *

"Lushly illustrated, this volume is a feast for the eyes that will help to inspire not only quilters but also artists in other media.... Highly recommended.November 2008"

-- N. J. Quinlan * Nova Southeastern University *

"A well-researched and beautiful book with 142 color photographs, including detail pictures of many of the quilts, Lenkowsky goes a long way towards accomplishing her goal of making the art quilt understandable and accessible to a wide audience.Vol. 32 no. 2"

* Museum Anthropology *

"In quiltmaker/author Kate Lenkowsky's Contemporary Quilt Art, she educates readers with remarkable verbal and visual dexterity; she alters our perception of quilts, converting us to the religion of quilts as art. It is a revelatory experience.... The accompanying vivid color photographs of the artists' quilts is enough by itself to make you want to own this publication: Each photograph vibrates with crispness and saturated color. Indiana University Press deserves praise for what it has put together."

* Deseret News *

Table of Contents

Contents
Preface
Acknowledgments
Note on Terminology

Part 1. Introduction
1. The Evolution of a New Art Form from an Old Tradition
Tradition
Early Innovations
Unique among the Crafts
The Arrival of Modern Art and Some Talented Immigrants
The Return of Studio Craft
A New Spirit Emerges in Textile and Fiber Art
The "New" Modern Art Takes Center Stage
Fiber and Textile Art Begin to Flourish
"Homemade" Makes a Comeback, and Quilt Guilds Proliferate
A New Art Form Begins to Evolve: Early Influences and Challenges
Museums Play a Role
Old Skills Are Revived
Artists Take Charge of the Medium
Building a Support System
The New Quilts
An Important Question Is Raised
Achieving Professional Status
New Challenges
Some Final Thoughts and Observations

Part 2. Artists
2. Liz Axford
3. Susan Brandeis
4. Rachel Brumer
5. Pauline Burbidge
6. Elizabeth Busch
7. Jean Williams Cacicedo
8. Dorothy Caldwell
9. Kyoung Ae Cho
10. Nancy Crow
11. Nancy Erickson
12. Carole Harris
13. Ana Lisa Hedstrom
14. Marilyn Henrion
15. Michael James
16. Jan Myers-Newbury
17. Ris? Nagin
18. Joy Saville
19. Joan Schulze
20. Julie John Upshaw

Part 3. A Guide for Buyers and Collectors
21. Educational Resources and the Market
Museums
Collections and Acquisition Policies
Making Use of Museum Resources
The International Quilt Study Center
The Quilt Index
Internet Galleries
Private Galleries
An Overview
What to Expect
Cooperative Galleries
National and International Competitions
Regional and Traveling Exhibitions
Fiber Art Destinations
Open Studio Days
Large Quilt Shows and Festivals
Local Guild Exhibitions
Student Work
Charitable Auctions
22. Suggestions for Buyers
23. Collecting: Some Well-Known Collectors and What We Can Learn from Them
24. Suggestions for Beginning Collectors
25. Working with an Art Consultant
Training and Responsibilities
Fees
26. Commissioning a Quilt
27. Displaying, Caring for, and Storing Studio Quilts
Displaying Your Quilts
Hanging Quilts
Sleeve Casing Method
Steps
Framing
Care Instructions
Storage
28. What You Should Know about Appraisals
29. Insuring Your Art
30. Resources
Museums (Selected)
Art Centers, Textile and Textile Art Centers (A Sampling)
Artist Networks (A Sampling)
Galleries (A Sampling)
Juried Art Quilt Exhibitions
Juried, Mixed Traditional and Art Quilt Exhibitions/Competitions
Juried Fiber Art Exhibitions
Juried Craft and Studio Quilt Exhibits
Fine Craft Shows and Fairs
Overseas Exhibits
Publications of Interest
Additional Educational Resources
Event Calendars
Care Resources
Display Systems
Insurance
Art Consultants

Glossary
Notes
Suggested Readings
Artist Biographies
Index

Contemporary Quilt Art An Introduction and Guide

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    A Hardback by Kathleen Lenkowsky

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      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Contemporary Quilt Art An Introduction and Guide by Kathleen Lenkowsky

      Publisher: Indiana University Press
      Publication Date: 23/04/2008
      ISBN13: 9780253351241, 978-0253351241
      ISBN10: 253351243

      Description

      Book Synopsis
      A guide to the contemporary art of quilting for quilters and collectors alike. It illustrates the various styles of quilt art, introduces artists, and discusses aspects of their art. It gives an overview of exhibition and marketing opportunities and lists art quilt organizations at the national, regional, and local levels.

      Trade Review

      Today's quilts are not just family heirlooms stored in a trunk. The concept of quilts as an art medium has created the terms "quilt art," "contemporary quilts," "studio quilts," and "art quilts." Quilts have become fiber or textile arts, part of a larger movement of crafts to fine arts status. Quilters are now artists who make wall hangings, study color and design, and display their work in galleries. Quilts are made with nontraditional materials and can be enhanced with embellishments, paint, photo transfers, or other media. Collectors and museums are acquiring quilts and displaying them as art. In this handsome book, independent scholar Lenkowsky reviews the history of the studio quilt and offers a critical discussion of the work of 19 prominent quilt artists. This very useful volume provides a guide for buyers and collectors, a glossary, a short bibliography, and biographies of the featured artists. Also offered is information on how to learn more about collecting, buying, and commissioning studio quilts, along with material on practical matters such as displaying, storing, and insuring quilts. Lushly illustrated, this volume is a feast for the eyes that will help to inspire not only quilters but also artists in other media. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers.

      -- N. J. Quinlan, Nova Southeastern University * Choice *

      "This is a well-researched and beautifully illustrated introduction to quilt art, a field that has emerged from its historic origins and flourishes today as a dynamic expression of modern art. Winter 2009"

      * Surface Design *

      "This oversized book is full of vibrant colors of a few traditional quilts, but the majority are imaginative designs and creations of contemporary men and women.August 1, 2008"

      -- Florence Waskelewicz Clowes * Polish American Journal *

      "Contemporary Quilt Art is a big, erudite, and beautifully produced book in the style done so well by university presses.... [T]his book is a must for any private or guild quilt library.September 3, 2008"

      * Quilt Channel *

      "The book exudes a conservative and distinguished spirit, offers impeccable print quality, and is crammed with information for quilters and their cultural community; thus it merits inclusion in any quilt library!"

      * Textile Forum *

      "Lenkowsky's survey of the studio-quilt movement makes an important contribution to scholarship on the evolution and current status of the medium.Nov/Dec 2008"

      * Fiberarts *

      "Lushly illustrated, this volume is a feast for the eyes that will help to inspire not only quilters but also artists in other media.... Highly recommended.November 2008"

      -- N. J. Quinlan * Nova Southeastern University *

      "A well-researched and beautiful book with 142 color photographs, including detail pictures of many of the quilts, Lenkowsky goes a long way towards accomplishing her goal of making the art quilt understandable and accessible to a wide audience.Vol. 32 no. 2"

      * Museum Anthropology *

      "In quiltmaker/author Kate Lenkowsky's Contemporary Quilt Art, she educates readers with remarkable verbal and visual dexterity; she alters our perception of quilts, converting us to the religion of quilts as art. It is a revelatory experience.... The accompanying vivid color photographs of the artists' quilts is enough by itself to make you want to own this publication: Each photograph vibrates with crispness and saturated color. Indiana University Press deserves praise for what it has put together."

      * Deseret News *

      Table of Contents

      Contents
      Preface
      Acknowledgments
      Note on Terminology

      Part 1. Introduction
      1. The Evolution of a New Art Form from an Old Tradition
      Tradition
      Early Innovations
      Unique among the Crafts
      The Arrival of Modern Art and Some Talented Immigrants
      The Return of Studio Craft
      A New Spirit Emerges in Textile and Fiber Art
      The "New" Modern Art Takes Center Stage
      Fiber and Textile Art Begin to Flourish
      "Homemade" Makes a Comeback, and Quilt Guilds Proliferate
      A New Art Form Begins to Evolve: Early Influences and Challenges
      Museums Play a Role
      Old Skills Are Revived
      Artists Take Charge of the Medium
      Building a Support System
      The New Quilts
      An Important Question Is Raised
      Achieving Professional Status
      New Challenges
      Some Final Thoughts and Observations

      Part 2. Artists
      2. Liz Axford
      3. Susan Brandeis
      4. Rachel Brumer
      5. Pauline Burbidge
      6. Elizabeth Busch
      7. Jean Williams Cacicedo
      8. Dorothy Caldwell
      9. Kyoung Ae Cho
      10. Nancy Crow
      11. Nancy Erickson
      12. Carole Harris
      13. Ana Lisa Hedstrom
      14. Marilyn Henrion
      15. Michael James
      16. Jan Myers-Newbury
      17. Ris? Nagin
      18. Joy Saville
      19. Joan Schulze
      20. Julie John Upshaw

      Part 3. A Guide for Buyers and Collectors
      21. Educational Resources and the Market
      Museums
      Collections and Acquisition Policies
      Making Use of Museum Resources
      The International Quilt Study Center
      The Quilt Index
      Internet Galleries
      Private Galleries
      An Overview
      What to Expect
      Cooperative Galleries
      National and International Competitions
      Regional and Traveling Exhibitions
      Fiber Art Destinations
      Open Studio Days
      Large Quilt Shows and Festivals
      Local Guild Exhibitions
      Student Work
      Charitable Auctions
      22. Suggestions for Buyers
      23. Collecting: Some Well-Known Collectors and What We Can Learn from Them
      24. Suggestions for Beginning Collectors
      25. Working with an Art Consultant
      Training and Responsibilities
      Fees
      26. Commissioning a Quilt
      27. Displaying, Caring for, and Storing Studio Quilts
      Displaying Your Quilts
      Hanging Quilts
      Sleeve Casing Method
      Steps
      Framing
      Care Instructions
      Storage
      28. What You Should Know about Appraisals
      29. Insuring Your Art
      30. Resources
      Museums (Selected)
      Art Centers, Textile and Textile Art Centers (A Sampling)
      Artist Networks (A Sampling)
      Galleries (A Sampling)
      Juried Art Quilt Exhibitions
      Juried, Mixed Traditional and Art Quilt Exhibitions/Competitions
      Juried Fiber Art Exhibitions
      Juried Craft and Studio Quilt Exhibits
      Fine Craft Shows and Fairs
      Overseas Exhibits
      Publications of Interest
      Additional Educational Resources
      Event Calendars
      Care Resources
      Display Systems
      Insurance
      Art Consultants

      Glossary
      Notes
      Suggested Readings
      Artist Biographies
      Index

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