Description

Book Synopsis
Carey Mickalites is an Associate Professor in the Department of English at the University of Memphis, USA. He is the author of Modernism and Market Fantasy, as well as a number of articles on modernist and contemporary literature. He regularly teaches courses and seminars on modernism, contemporary British fiction, colonial and postcolonial literature, and literary and cultural theory.

Table of Contents
Introduction: Fictions of Celebrity and the Markets for Modernism Chapter One: Signature to Brand: Martin Amis’s Negotiations with Literary Celebrity Chapter Two: “To invent a literature”: Ian McEwan’s Commercial Modernism Chapter Three: From Modernism to Postcolonial Inc.: Authorizing Salman Rushdie Chapter Four: What the Public Wants: Prize Culture and Kazuo Ishiguro’s Aesthetic of Disillusionment Chapter Five: Zadie Smith, Inauthenticity, and the Ends of Multicultural Modernism Chapter Six: Valuing the Marginal, or, How Eimear McBride and Anna Burns Reframe Irish Modernism Bibliography

Contemporary Fiction Celebrity Culture and the

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    A Paperback by Carey Mickalites

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      Publisher: Bloomsbury Publishing (UK)
      Publication Date: 1/24/2023 12:08:00 AM
      ISBN13: 9781350248601, 978-1350248601
      ISBN10: 1350248606

      Description

      Book Synopsis
      Carey Mickalites is an Associate Professor in the Department of English at the University of Memphis, USA. He is the author of Modernism and Market Fantasy, as well as a number of articles on modernist and contemporary literature. He regularly teaches courses and seminars on modernism, contemporary British fiction, colonial and postcolonial literature, and literary and cultural theory.

      Table of Contents
      Introduction: Fictions of Celebrity and the Markets for Modernism Chapter One: Signature to Brand: Martin Amis’s Negotiations with Literary Celebrity Chapter Two: “To invent a literature”: Ian McEwan’s Commercial Modernism Chapter Three: From Modernism to Postcolonial Inc.: Authorizing Salman Rushdie Chapter Four: What the Public Wants: Prize Culture and Kazuo Ishiguro’s Aesthetic of Disillusionment Chapter Five: Zadie Smith, Inauthenticity, and the Ends of Multicultural Modernism Chapter Six: Valuing the Marginal, or, How Eimear McBride and Anna Burns Reframe Irish Modernism Bibliography

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