Description

Book Synopsis

In Consequential Museum Spaces, Bettina Messias Carbonell examines how African American history and culture is—and historically has been—represented in culturally specific and mainstream museums. Carbonell argues that African American museums provide a corrective history that is both argumentative and pragmatic: these museums educate and enlighten, and they seek to effect change. Themes examined here include settlement narratives; key movements and individuals in political, social, and military history; the treatment of slavery includingthe African, transatlantic, and American slave trade and the long history of slavery as an institution in the United States; the status of Africa—the continent and individual countries and regions—as a source of origins and traditions and a destination for reconnection with the past; and activism and human rights. Carbonell considers this museum-based work in the context of relevant historical (written) texts and in the context of contemporary theories involving memory and history, corrective history, intergenerational trauma, human rights, and historical consciousness.



Table of Contents

Chapter 1: Frames

Chapter 2. Themes Part I: Contributions to the Region and the Nation

Chapter 3. Themes Part II: Cultural Achievements—The Art Exhibition as a Rhetorical Space

Chapter 4. Themes Part III: Representing Difficult History in an Activist Present

Chapter 5. Publics

Consequential Museum Spaces: Representing African

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    A Hardback by Bettina Messias Carbonell

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      View other formats and editions of Consequential Museum Spaces: Representing African by Bettina Messias Carbonell

      Publisher: Lexington Books
      Publication Date: 16/03/2023
      ISBN13: 9781666919547, 978-1666919547
      ISBN10: 1666919543

      Description

      Book Synopsis

      In Consequential Museum Spaces, Bettina Messias Carbonell examines how African American history and culture is—and historically has been—represented in culturally specific and mainstream museums. Carbonell argues that African American museums provide a corrective history that is both argumentative and pragmatic: these museums educate and enlighten, and they seek to effect change. Themes examined here include settlement narratives; key movements and individuals in political, social, and military history; the treatment of slavery includingthe African, transatlantic, and American slave trade and the long history of slavery as an institution in the United States; the status of Africa—the continent and individual countries and regions—as a source of origins and traditions and a destination for reconnection with the past; and activism and human rights. Carbonell considers this museum-based work in the context of relevant historical (written) texts and in the context of contemporary theories involving memory and history, corrective history, intergenerational trauma, human rights, and historical consciousness.



      Table of Contents

      Chapter 1: Frames

      Chapter 2. Themes Part I: Contributions to the Region and the Nation

      Chapter 3. Themes Part II: Cultural Achievements—The Art Exhibition as a Rhetorical Space

      Chapter 4. Themes Part III: Representing Difficult History in an Activist Present

      Chapter 5. Publics

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