Description

Book Synopsis

Variously described as ‘the average pilgrim’, a ‘wanderer’, and ‘a Buddha preaching in European clothes’, Charlie Marlow is the voice behind Joseph Conrad’s Youth (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912).

Newly available in paperback, Conrad’s Marlow offers a comprehensive account and critical analysis of one of Conrad’s most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar?

Reading Conrad’s fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow’s essence is located in his liminality – in his constantly shifting position – and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.



Table of Contents

Introduction: Marlow, realism, hermeneutics
1. Marlow: ‘Youth’ and the oral tradition
2. Heart of Darkness and death
3. Lord Jim and the structures of suicide
4. Chance and the truth of literature
Epilogue: the sense of an ending
Index

Conrad's Marlow: Narrative and Death in 'Youth',

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    A Paperback / softback by Paul Wake

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      View other formats and editions of Conrad's Marlow: Narrative and Death in 'Youth', by Paul Wake

      Publisher: Manchester University Press
      Publication Date: 20/01/2016
      ISBN13: 9781784992477, 978-1784992477
      ISBN10: 178499247X

      Description

      Book Synopsis

      Variously described as ‘the average pilgrim’, a ‘wanderer’, and ‘a Buddha preaching in European clothes’, Charlie Marlow is the voice behind Joseph Conrad’s Youth (1898), Heart of Darkness (1899), Lord Jim (1900) and Chance (1912).

      Newly available in paperback, Conrad’s Marlow offers a comprehensive account and critical analysis of one of Conrad’s most celebrated creations, asking both who and what is Marlow: a character or a narrator, a biographer or an autobiographical screen, a messenger or an interpreter, a bearer of truth or a misguided liar?

      Reading Conrad’s fiction alongside the work of Walter Benjamin, Maurice Blanchot, Jacques Derrida and Martin Heidegger, and offering an investigation into the connection between narrative and death, this book argues that Marlow’s essence is located in his liminality – in his constantly shifting position – and that the emergence of meaning in his stories is at all points bound up with the process of his storytelling.



      Table of Contents

      Introduction: Marlow, realism, hermeneutics
      1. Marlow: ‘Youth’ and the oral tradition
      2. Heart of Darkness and death
      3. Lord Jim and the structures of suicide
      4. Chance and the truth of literature
      Epilogue: the sense of an ending
      Index

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