Description

Book Synopsis

What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light

Table of Contents

List of Figures

Acknowledgments

Introduction

1. The Problem: Supersize Narratives

2. The Solution: Conceptual Narratives

3. The Upshot: Engaging With Conceptual Narratives

Bibliography

Concept TV

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    £69.30

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    RRP £77.00 – you save £7.70 (10%)

    Order before 4pm tomorrow for delivery by Thu 18 Jun 2026.

    A Hardback by Enrico Terrone, Enrico Terrone

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      View other formats and editions of Concept TV by Enrico Terrone

      Publisher: Lexington Books
      Publication Date: 1/15/2021 12:11:00 AM
      ISBN13: 9781498597562, 978-1498597562
      ISBN10: 1498597564

      Description

      Book Synopsis

      What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light

      Table of Contents

      List of Figures

      Acknowledgments

      Introduction

      1. The Problem: Supersize Narratives

      2. The Solution: Conceptual Narratives

      3. The Upshot: Engaging With Conceptual Narratives

      Bibliography

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