Description
Book SynopsisComputer Architectures is a collection of multidisciplinary historical works unearthing sites, concepts, and concerns that catalyzed the cross-contamination of computers and architecture in the mid-20th century.
Weaving together intellectual, social, cultural, and material histories, this book paints the landscape that brought computing into the imagination, production, and management of the built environment, whilst foregrounding the impact of architecture in shaping technological development. The book is organized into sections corresponding to the classic von Neumann diagram for computer architecture: program (control unit), storage (memory), input/output and computation (arithmetic/logic unit), each acting as a quasi-material category for parsing debates among architects, engineers, mathematicians, and technologists. Collectively, authors bring forth the striking homologies between a computer program and an architectural program, a wall and an interface,
Trade Review
"This impressive collection brings together a stellar group of thinkers from diverse disciplinary traditions to explore the deeply intertwined histories of architecture and computation. It’s a model for studies of computation as a cultural, as well as technical, practice." - Jennifer S. Light, Professor of Urban Studies and Planning, Massachusetts Institute of Technology
Table of Contents1. Introduction: Toward a Polyglot Space PART I PROGRAM 2. Computing Environmental Design 3. The Work of Design and the Design of Work: Olivetti and the Political Economy of its Early Computers 4. "Bewildered, the Form-Maker Stands Alone": Computer Architecture and the Quest for Design Rationality PART II INPUT/OUTPUT 5. Augmentation and Interface: Tracing a Spectrum 6. The First Failure of Man-Computer Symbiosis: The Hospital Computer Project, 1960-1968 7. The Unclean Human-Machine Interface PART III STORAGE 8. Architectures of Information: A Comparison of Wiener’s and Shannon’s Theories of Information 9. Bureaucracy’s Playthings PART IV COMPUTATION 10. Imagining Architecture as a Form of Concrete Poetry 11. The Axiomatic Aesthetic
