Description

Book Synopsis
Originally published in 1902, Color Problems examines the theory of color in 117 conceptual plates by Emily Noyes Vanderpoel.

Emily Noyes Vanderpoel (1842-1939) was an artist, collector, scholar, and historian working at the dawn of the 20th century. Her first and most prominent work, Color Problems: A Practical Manual for the Lay Student of Color, provides a comprehensive overview of the main ideas of color theory at the time, as well as her wildly original approaches to color analysis and interaction. Through a 21st century lens, she appears to stumble upon midcentury design and minimalism decades prior to those movements.

Presenting her work as a painting manual under the guise and genre of flower painting and the decorative arts— subjects considered “appropriate” for a woman of her time—she was able to present a thoroughly studied, yet uniquely poetic, approach to color theory that was later taken up and popularized by men

Color Problems

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    Order before 4pm today for delivery by Mon 8 Jun 2026.

    A Paperback by Emily Noyes Vanderpoel, Keegan Mills Cooke, Alan Bruton

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      View other formats and editions of Color Problems by Emily Noyes Vanderpoel

      Publisher: Sacred Bones
      Publication Date: 12/20/2018 12:00:00 AM
      ISBN13: 9780999609934, 978-0999609934
      ISBN10: 0999609939

      Description

      Book Synopsis
      Originally published in 1902, Color Problems examines the theory of color in 117 conceptual plates by Emily Noyes Vanderpoel.

      Emily Noyes Vanderpoel (1842-1939) was an artist, collector, scholar, and historian working at the dawn of the 20th century. Her first and most prominent work, Color Problems: A Practical Manual for the Lay Student of Color, provides a comprehensive overview of the main ideas of color theory at the time, as well as her wildly original approaches to color analysis and interaction. Through a 21st century lens, she appears to stumble upon midcentury design and minimalism decades prior to those movements.

      Presenting her work as a painting manual under the guise and genre of flower painting and the decorative arts— subjects considered “appropriate” for a woman of her time—she was able to present a thoroughly studied, yet uniquely poetic, approach to color theory that was later taken up and popularized by men

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