Description
Book SynopsisWhile plot is among the integral aspects of storytelling, it is perhaps the least studied aspect of narrative. Using plot theory to chart the development of narrative fiction from the Renaissance to the present, this title demonstrates how the novel has evolved over time and how writers have developed increasingly complex narrative strategies.
Trade ReviewCoincidence and Counterfactuality mentioned in the Times Literary Supplement, 12th December 2008
Table of ContentsList of FiguresPreface Introduction 1. Convergent and Divergent Plots and Character Trajectories 2. A Brief History of Approaches to Plot and Related Theories 3. A Guide to this Study and its Research Contribution Part I: Plotting Time and Space in Narrative Fiction1. Cognitive Plotting: Crossing Narrative Boundaries and Connecting Worlds 1. Liberation and Belief in Narrative Fiction 2. World Construction: The Plotting Principle 3. Narrative Suspense and Liminal Plotting 4. Conclusion: Possible and Impossible Worlds2. Ontological Plotting: Narrative as a Multiplicity of Temporal Dimensions 1. Plot as the Sum of Alternate Possible Worlds 2. Counterfactual Worlds 3. Counterfactuality, Transworld Identity, and World-Blending 4. Ontological Hierarchies in Realist and Other Fictions3. Spatial Plotting: Paths, Links, and Portals 1. The Spatial Mapping of Time and Narrative 2. The Cognitive Schemata of Bodily Orientation in Fictional Space Part II: Theorizing Coincidence and Counterfactuality4. The Coincidence Plot 1. Coincidence in Literature and Science 2. The Traditional Coincidence Plot in Narrative Fiction 3. Analogical Coincidence5. Counterfactuals and Other Alternate Narrative Worlds 1. Counterfactuals Across the Disciplines 2. A Theory of Counterfactuals in Narrative Fiction 3. Key Forms of Counterfactual in Narrative Fiction 4. Beyond the
Counterfactual: Multiple Alternate Worlds Part III: Coincidence and Counterfactuality in the History of Narrative FictionIntroduction6. The Metamorphoses of the Coincidence Plot 1. Discordant and Euphoric Recognition in the Renaissance Romance 2. Recognition and Identity in the Developing Novel 3. The Hyperconvergence of the Fictional Victorians 4. Analogous and Traditional Coincidence in Modernist Fiction 5. The Postmodern Renaissance of the Coincidence Plot7. The Narrative Evolution of Counterfactuals 1. From Renaissance Rhetoric towards Realist Counterfactuals 2. Autobiographical Counterfactuals in Eighteenth-Century Fiction 3. Counterfactuals in Eighteenth-Century Heterodiegetic Narration 4. Alternate Lives and Loves in Nineteenth-Century Fiction 5. The Multiplication of Time: Alternate History in Nineteenth and Twentieth-Century Fiction 6. Counterfactual Fantasies, Metafictions, and Metahistories in Twentieth-Century Fiction ConclusionGlossary of Key TermsWorks Cited
