Description
Book SynopsisThis book examines how popular music is able to approach subjects of bio-politics, climate change, solastalgia, and anthropomorphisation, alongside its more common diet of songs about love, dancing, and break-ups â all while satisfying its primary remit of being entertaining and listenable.
Nearly a thousand books have been published on bioethics since Van Rensselaer Potterâs Bioethics Bridge to the Future (1971), with a marked increase in the past 20 years. However, not one of these books has focused itself on popular music, something Christopher Partridge describes as âcentral to the construction of [our] identities, central to [our] sense of self, central to [our] well-being and, therefore, central to [our] social relationsâ. This edited collection examines popular music through a range of topics, from romance to climate change.
Coastal Environments in Popular Song is perfect for students, scholars, and researchers alike interested in bioethics, social histor
