Description

Book Synopsis
Focusing on dominant tendencies in box office hits and Oscar-recognized classics, the author breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s.

Trade Review
“Panoramic overviews alternate with convincing close readings of dozens of well-known films. . . . In confronting and developing these classic film texts, Pravadelli has produced her own outstanding reading of Hollywood classical style. Highly Recommended.”--Choice

"Veronica Pravadelli looks back at the classical Hollywood cinema with a powerful magnifying glass. What comes into full view are not only new details, but an entire new geography. Trends, dividing lines, stylistic choices, plots, questions of gender, become much clearer. The result is a cutting edge analysis, surprising and convincing."
--Francesco Casetti, author of Eye of the Century: Film, Experience, Modernity
"Pravadelli's examination and contextualization of on-screen gender dynamics of the 1930s-1960s makes a valuable contribution to film studies."--Journalism History
"Exceptionally well-argued and absorbing." --Screen
"[An] exceptionally well-argued and absorbing book." --Screen
"Pravadelli has surprising and provocative things to say about genres, and she makes interesting arguments about how certain genres or film cycles can be periodized. Another important aspect of her ambitious book is the feminist perspective she brings to Hollywood history."--James Naremore, author of More than Night: Film Noir and Its Contexts
"One of those books that makes big claims that stretch over time. Pravadelli has read and absorbed a huge archive of feminist film theory. The degree of her knowledge of this archive from the 1980s through the millennium is impressive. What she has done, and is also impressive, is to offer a certain slant on this research. Another virtue is the way in which she incorporates interdisciplinary work in feminist studies giving more attention than is often given to changes in women's lives."--E. Ann Kaplan, author of Trauma Culture: The Politics of Terror and Loss in Media and Literature

Classic Hollywood

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    Order before 4pm tomorrow for delivery by Mon 13 Jul 2026.

    A Paperback / softback by Veronica Pravadelli, Michael Meadows

    1 in stock

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      Publisher: University of Illinois Press
      Publication Date: 25/11/2014
      ISBN13: 9780252080340, 978-0252080340
      ISBN10: 0252080343

      Description

      Book Synopsis
      Focusing on dominant tendencies in box office hits and Oscar-recognized classics, the author breaks down the so-called classic period into six distinct phases that follow Hollywood's amazingly diverse offerings from the emancipated females of the "Transition Era" and the traditional men and women of the conservative 1930s.

      Trade Review
      “Panoramic overviews alternate with convincing close readings of dozens of well-known films. . . . In confronting and developing these classic film texts, Pravadelli has produced her own outstanding reading of Hollywood classical style. Highly Recommended.”--Choice

      "Veronica Pravadelli looks back at the classical Hollywood cinema with a powerful magnifying glass. What comes into full view are not only new details, but an entire new geography. Trends, dividing lines, stylistic choices, plots, questions of gender, become much clearer. The result is a cutting edge analysis, surprising and convincing."
      --Francesco Casetti, author of Eye of the Century: Film, Experience, Modernity
      "Pravadelli's examination and contextualization of on-screen gender dynamics of the 1930s-1960s makes a valuable contribution to film studies."--Journalism History
      "Exceptionally well-argued and absorbing." --Screen
      "[An] exceptionally well-argued and absorbing book." --Screen
      "Pravadelli has surprising and provocative things to say about genres, and she makes interesting arguments about how certain genres or film cycles can be periodized. Another important aspect of her ambitious book is the feminist perspective she brings to Hollywood history."--James Naremore, author of More than Night: Film Noir and Its Contexts
      "One of those books that makes big claims that stretch over time. Pravadelli has read and absorbed a huge archive of feminist film theory. The degree of her knowledge of this archive from the 1980s through the millennium is impressive. What she has done, and is also impressive, is to offer a certain slant on this research. Another virtue is the way in which she incorporates interdisciplinary work in feminist studies giving more attention than is often given to changes in women's lives."--E. Ann Kaplan, author of Trauma Culture: The Politics of Terror and Loss in Media and Literature

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