Description
Book SynopsisMajor literary critics in Britain, France, and the United States engage with Maurice Blanchot’s immense, fascinating, and difficult body of creative work.
Trade Review“Blanchot’s narratives are here read with the care, patience, and thoroughness they deserve. The collection sustains a remarkable intensity of engagement throughout, in so doing opening these narratives out to their necessary contexts—philosophical, of course; but also literary, political, theological, and biographical—with welcome dedication and integrity. The volume makes a timely and decisive contribution to its field, where it will form a major point of reference.” —Martin Crowley, Queens’ College, University of Cambridge
“This outstanding collection—lucid, engaging, generous—illuminates Blanchot and the very notion of ‘the philosophical.’” —Gerald Prince, University of Pennsylvania
“This collection contains some very important pieces on a major figure of twentieth-century modernism. Blanchot now has a much wider audience in North American than he did even a few years ago when it was mostly experimental fiction writers like Paul Auster, Lydia Davis, R. M. Berry, and Steve Tomasula—not literary critics—who took an interest in Blanchot’s literary writings. The focus on the ‘narratives’ (or, better, ‘fictions’) sets this volume apart from, and makes it a good deal more stimulating than, other recent collections of essays on Blanchot.” —Gerald Bruns, University of Notre Dame
“Throughout this text, Hart delivers a compilation of many of the most elucidating essays ever written on Blanchot (Hart’s own notwithstanding), while simultaneously providing an accessible introduction to those concepts that are essential to understanding this monolith of contemporary French thought.” —Dialogue
“While these narratives have not garnered the same level of critical attention as Blanchot’s other works, Clandestine Encounters opens a future of new approaches. The collection makes an outstanding companion for those wishing to probe Blanchot’s enigmatic narratives more deeply.” —Modern Philology
