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Book Synopsis
CIXOUS, IRIGARAY, KRISTEVATHE JOUISSANCE OF FRENCH FEMINISM

This book is a poetic study of three French feminists, Luce Irigaray, Julia Kristeva and Hélène Cixous, the ''holy trinity'' of French feminism.

Kelly Ives writes: ''I hope to convey some the inspiration and excitement that their work instils. For these three feminists/ philosophers/ speakers/ poets are extraordinarily enriching. Their writings are not dull, nor yet are they limited to having one or two things to say. Rather, they say a lot, about a lot. Sometimes they write things that are outrageous, at other times they are incredibly, searingly poignant. They annoy many feminists - their insistence on the body and biology, for instance, aggravates some theorists.''

EXTRACT FROM THE INTRODUCTION

Hélène Cixous, Luce Irigaray and Julia Kristeva all have different modes of writing. There are times when they are writing in the sober, tones of a cultural critic, philosopher or psychoanalyst. They have strident feminist voices (Cixous and Irigaray more than Kristeva). They are personal reminiscence modes. They have a relaxed, informal mode in interviews. And, most powerful of all, they have lyrical modes. Thus, Cixous, the most ''poetic'' of the three, will break into a visionary, ultra-lyrical way of writing.

Luce Irigaray, too, changes, less frequently than Hélène Cixous, from a critical to a lyrical form. Thus, in a piece such as "When Our Lips Speak Together", Irigaray will write poetic sentences such as ''Kiss me. Two lips kiss two lips, and openness is ours again.'' This is the kind of phrase which never appears in most cultural theorists outside of quotation marks. One doesn''t find Jacques Derrida, Jacques Lacan, Gilles Deleuze, Jean Baudrillard, Mikhail Bakhtin, Michel Foucault, Roland Barthes or Jean-Paul Sartre writing ''kiss me'' very often.

What marks Hélène Cixous, Luce Irigaray and Julia Kristeva apart from many cultural theorists and philosophers, then, is this personal, confessional and poetic way of writing, where they directly address the reader as the other, the ''you'' in an intimate relationship. Derrida, Foucault, Baudrillard, and Jakobson are rarely, if ever, this personal.

KELLY IVES has written widely on feminism, philosophy and art. Her previous books include Julia Kristeva and Hélène Cixous.

The text has been revised and updated for this edition.

Illustrated, with a revised text. European Writers Series. Bibliography and notes. 188pp. ISBN 9781861714206. www.crmoon.com

Cixous, Irigaray, Kristeva: The Jouissance of

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    View other formats and editions of Cixous, Irigaray, Kristeva: The Jouissance of by KELLY IVES

    Publisher: Crescent Moon Publishing
    Publication Date: 25/03/2013
    ISBN13: 9781861714206, 978-1861714206
    ISBN10: 1861714203

    Description

    Book Synopsis
    CIXOUS, IRIGARAY, KRISTEVATHE JOUISSANCE OF FRENCH FEMINISM

    This book is a poetic study of three French feminists, Luce Irigaray, Julia Kristeva and Hélène Cixous, the ''holy trinity'' of French feminism.

    Kelly Ives writes: ''I hope to convey some the inspiration and excitement that their work instils. For these three feminists/ philosophers/ speakers/ poets are extraordinarily enriching. Their writings are not dull, nor yet are they limited to having one or two things to say. Rather, they say a lot, about a lot. Sometimes they write things that are outrageous, at other times they are incredibly, searingly poignant. They annoy many feminists - their insistence on the body and biology, for instance, aggravates some theorists.''

    EXTRACT FROM THE INTRODUCTION

    Hélène Cixous, Luce Irigaray and Julia Kristeva all have different modes of writing. There are times when they are writing in the sober, tones of a cultural critic, philosopher or psychoanalyst. They have strident feminist voices (Cixous and Irigaray more than Kristeva). They are personal reminiscence modes. They have a relaxed, informal mode in interviews. And, most powerful of all, they have lyrical modes. Thus, Cixous, the most ''poetic'' of the three, will break into a visionary, ultra-lyrical way of writing.

    Luce Irigaray, too, changes, less frequently than Hélène Cixous, from a critical to a lyrical form. Thus, in a piece such as "When Our Lips Speak Together", Irigaray will write poetic sentences such as ''Kiss me. Two lips kiss two lips, and openness is ours again.'' This is the kind of phrase which never appears in most cultural theorists outside of quotation marks. One doesn''t find Jacques Derrida, Jacques Lacan, Gilles Deleuze, Jean Baudrillard, Mikhail Bakhtin, Michel Foucault, Roland Barthes or Jean-Paul Sartre writing ''kiss me'' very often.

    What marks Hélène Cixous, Luce Irigaray and Julia Kristeva apart from many cultural theorists and philosophers, then, is this personal, confessional and poetic way of writing, where they directly address the reader as the other, the ''you'' in an intimate relationship. Derrida, Foucault, Baudrillard, and Jakobson are rarely, if ever, this personal.

    KELLY IVES has written widely on feminism, philosophy and art. Her previous books include Julia Kristeva and Hélène Cixous.

    The text has been revised and updated for this edition.

    Illustrated, with a revised text. European Writers Series. Bibliography and notes. 188pp. ISBN 9781861714206. www.crmoon.com

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