New York, more than any other city, has held a special fascination for filmmakers and viewers. In every decade of Hollywood filmmaking, artists of the screen have fixated upon this fascinating place for its tensions and promises, dazzling illumination and fearsome darkness.
The glittering skyscrapers of such films as On the Town have shadowed the characteristic seedy streets in which desperate, passionate stories have played out-as in Scandal Sheet and The Pawnbroker. In other films, the city is a cauldron of bright lights, technology, empire, egotism, fear, hunger, and change--the scenic epitome of America in the modern age.
From Street Scene and Breakfast at Tiffany''s to Rosemary''s Baby, The Warriors, and 25th Hour, the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, a
Table of Contents
Acknowledgments
Prelude: To Wake Up in the City That Never Sleeps
Memory All Alone in the Moonlight: City of Experience
There's a Place for Us: City of Characters and Spaces
Whispering Escapades Out on the D Train: City of Moves and Traps
Stayin' Alive: City of Danger and Adjustment
Works Cited and Consulted
Notes on Contributors
Index
