Description

Book Synopsis
The attacks in New York on September 11, 2001, and in Madrid on March 11, 2004, provoked diverse political reactions, but the imminence of the ruins triggered a collective historical awakening. In Cities in Ruins, Cecilia Enjuto Rangel argues that the portrayal in poetry of the modern city as a disintegrated, ruined space is part of a critique of the visions of progress and the historical process of modernization that developed during the nineteenth century and the first half of the twentieth century. Enjuto Rangel's study investigates the virtually unexplored map of modern ruins in modern poetry. She interprets modern poetry on ruins as a critique of both capitalist definitions of progress and the devastating effects of modern warfare. Furthermore, she argues that the representation of ruins provokes a historical awakening that empowers the text, and the reader, with political and historical agency.

Cities in Ruins: The Politics of Modern Poetics

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    A Paperback / softback by Cecilia Enjuto Rangel

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      Publisher: Purdue University Press
      Publication Date: 30/11/2010
      ISBN13: 9781557535719, 978-1557535719
      ISBN10: 155753571X
      Also in:
      ELT & Literary Studies Literary studies: poetry and poets

      Description

      Book Synopsis
      The attacks in New York on September 11, 2001, and in Madrid on March 11, 2004, provoked diverse political reactions, but the imminence of the ruins triggered a collective historical awakening. In Cities in Ruins, Cecilia Enjuto Rangel argues that the portrayal in poetry of the modern city as a disintegrated, ruined space is part of a critique of the visions of progress and the historical process of modernization that developed during the nineteenth century and the first half of the twentieth century. Enjuto Rangel's study investigates the virtually unexplored map of modern ruins in modern poetry. She interprets modern poetry on ruins as a critique of both capitalist definitions of progress and the devastating effects of modern warfare. Furthermore, she argues that the representation of ruins provokes a historical awakening that empowers the text, and the reader, with political and historical agency.

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