Description
Book Synopsis
This pioneering study is one of the major publications in the increasingly popular and largely undocumented area of circus studies.
Through photographs and illustrations, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the socially changing ideas of muscular action in relation to our understanding of gender and sexuality. She questions how spectators see and enjoy aerial actions, and what cultural identities are presented by bodies in fast, physical aerial movement.
Adeptly locating aerial performance within the wider cultural history of bodies and their identities, Circus Bodies explores this subject through a range of films such as Trapeze (1956) and Wings of Desire (1987) and Tait also examines live performances including:
* the first trapeze performers: Léotard and the Hanlon Brothers
* female celebrities; Azella, Sanyeah, black French aerialist LaLa, the infamous Leona Dare, and the
Table of Contents
Introduction: Aerial Bodies Chapter 1: Graceful Manliness, Unfeminine Maidens and Erotic Gods Chapter 2: Unnatural Acts, Female Strongmen Chapter 3: Cross-Dressing and Female Muscular Drag Chapter 4: Gender Competition, Camp Spectacles and Impossible Machismo Chapter 5: Androgyny to Queer Violence: Cirque du Soleil, Archaos and Circus Oz Chapter 6: Ecstasy and Visceral Flesh in Motion Glossary References Index
