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"Rosenbaum is arguably America's greatest living film critic. This stimulating collection forms a kind of essay about the types of dialogues and meditations that one can have about a film or a body of films. It is often absolutely riveting."--Alan Williams, author of Republic of Images: A History of French Filmmaking
"Given the power and voraciousness of his mind, Jonathan Rosenbaum could dominate and devour everything in his path if he wanted to, like the bullying movies he abhors. But with his openness of spirit, he prefers films that let you question and participate. Those are also his activities in Cinematic Encounters, as he converses with great and good filmmakers he admires and swaps ideas and enthusiasms with his cinephile friends. Open the book and you, too, are welcome to join in."--Stuart Klawans, film critic, The Nation

Cinematic Encounters

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Order before 4pm today for delivery by Wed 31 Dec 2025.

A Hardback by Jonathan Rosenbaum

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    View other formats and editions of Cinematic Encounters by Jonathan Rosenbaum

    Publisher: University of Illinois Press
    Publication Date: 30/11/2018
    ISBN13: 9780252042164, 978-0252042164
    ISBN10: 0252042166

    Description

    Book Synopsis


    Trade Review
    "Rosenbaum is arguably America's greatest living film critic. This stimulating collection forms a kind of essay about the types of dialogues and meditations that one can have about a film or a body of films. It is often absolutely riveting."--Alan Williams, author of Republic of Images: A History of French Filmmaking
    "Given the power and voraciousness of his mind, Jonathan Rosenbaum could dominate and devour everything in his path if he wanted to, like the bullying movies he abhors. But with his openness of spirit, he prefers films that let you question and participate. Those are also his activities in Cinematic Encounters, as he converses with great and good filmmakers he admires and swaps ideas and enthusiasms with his cinephile friends. Open the book and you, too, are welcome to join in."--Stuart Klawans, film critic, The Nation

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