Description

Book Synopsis

Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s

  • Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces
  • Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others
  • Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise
  • Investigates Hollywood's treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s
  • Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural condi

    Trade Review
    "Notwithstanding the lack of surprise, Kellner is always challenging and provocative, and for that reason alone, Cinema Wars is worth reading." (Historical Journal of Film, Radio and Television, 1 June 2011)

    "This volume will be a valuable source ... .The provocative political stances taken and wide range of films discussed here will stimulate debate for academics and students alike." (Times Higher Education, February 2010)



    Table of Contents

    Acknowledgments vii

    List of Plates ix

    Introduction: Film, Politics, and Society 1

    Hollywood Film as a Contested Terrain 2

    Cinema, Politics, and Social History: From Cinematic Realism to Allegory 13

    Hollywood Film and the Contemporary Moment: Signs of the Times 18

    Reading Film Diagnostically: Imagining Obama 34

    In This Book 40

    1 Confronting the Horrors of the Bush-Cheney Era: From Documentary to Allegory 51

    The Golden Age of Documentary 52

    Real Disaster Films: From An Inconvenient Truth and Environmental Documentaries to Animated Allegories 71

    Allegories of Catastrophe: Social Apocalypse in Disaster, Horror, and Fantasy Films 80

    2 Hollywood’s 9/11 and Spectacles of Terror 98

    9/11 as Disaster Film and Spectacle of Terror 99

    Representations of 9/11 in Hollywood Film: United 93 and World Trade Center 101

    Disney Television Republican Propaganda: The Path to 9/11 108

    Hollywood’s Terror War 118

    3 Michael Moore’s Provocations 132

    Michael Moore, Emile de Antonio, and the Politics of Documentary Film 133

    Roger and Me and the Documentary of Personal Witnessing 136

    Bowling For Columbine and Exploratory Documentary Montage 140

    Fahrenheit 9/11 and Partisan Interventionist Cinema 146

    Sicko and the Michael Moore Genre 155

    4 Hollywood Political Critiques of the Bush-Cheney Regime: From Thrillers to Fantasy and Satire 163

    The Hollywood Political Thriller Against the Bush-Cheney Regime 165

    Star Wars Prequels as Anti-Bush-Cheney Allegory 173

    From Satire to Dystopia 183

    5 The Cinematic Iraq War 199

    Documenting Iraq 200

    Interpreting the Iraq Fiasco 208

    Iraq and Its Aftermath in Fiction Films 219

    Conclusion: Hollywood Cinema Wars in the 2000s 239

    Critical Representations 240

    History Lessons 250

    Final Reflections 258

    References 262

    Index 269

Cinema Wars

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    A Paperback / softback by Douglas M. Kellner

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      Publisher: John Wiley and Sons Ltd
      Publication Date: 27/11/2009
      ISBN13: 9781405198240, 978-1405198240
      ISBN10: 1405198249

      Description

      Book Synopsis

      Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s

      • Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces
      • Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others
      • Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise
      • Investigates Hollywood's treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s
      • Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural condi

        Trade Review
        "Notwithstanding the lack of surprise, Kellner is always challenging and provocative, and for that reason alone, Cinema Wars is worth reading." (Historical Journal of Film, Radio and Television, 1 June 2011)

        "This volume will be a valuable source ... .The provocative political stances taken and wide range of films discussed here will stimulate debate for academics and students alike." (Times Higher Education, February 2010)



        Table of Contents

        Acknowledgments vii

        List of Plates ix

        Introduction: Film, Politics, and Society 1

        Hollywood Film as a Contested Terrain 2

        Cinema, Politics, and Social History: From Cinematic Realism to Allegory 13

        Hollywood Film and the Contemporary Moment: Signs of the Times 18

        Reading Film Diagnostically: Imagining Obama 34

        In This Book 40

        1 Confronting the Horrors of the Bush-Cheney Era: From Documentary to Allegory 51

        The Golden Age of Documentary 52

        Real Disaster Films: From An Inconvenient Truth and Environmental Documentaries to Animated Allegories 71

        Allegories of Catastrophe: Social Apocalypse in Disaster, Horror, and Fantasy Films 80

        2 Hollywood’s 9/11 and Spectacles of Terror 98

        9/11 as Disaster Film and Spectacle of Terror 99

        Representations of 9/11 in Hollywood Film: United 93 and World Trade Center 101

        Disney Television Republican Propaganda: The Path to 9/11 108

        Hollywood’s Terror War 118

        3 Michael Moore’s Provocations 132

        Michael Moore, Emile de Antonio, and the Politics of Documentary Film 133

        Roger and Me and the Documentary of Personal Witnessing 136

        Bowling For Columbine and Exploratory Documentary Montage 140

        Fahrenheit 9/11 and Partisan Interventionist Cinema 146

        Sicko and the Michael Moore Genre 155

        4 Hollywood Political Critiques of the Bush-Cheney Regime: From Thrillers to Fantasy and Satire 163

        The Hollywood Political Thriller Against the Bush-Cheney Regime 165

        Star Wars Prequels as Anti-Bush-Cheney Allegory 173

        From Satire to Dystopia 183

        5 The Cinematic Iraq War 199

        Documenting Iraq 200

        Interpreting the Iraq Fiasco 208

        Iraq and Its Aftermath in Fiction Films 219

        Conclusion: Hollywood Cinema Wars in the 2000s 239

        Critical Representations 240

        History Lessons 250

        Final Reflections 258

        References 262

        Index 269

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