Description
Book SynopsisStandard Hollywood narrative movies prescribe linear narratives and cue the viewer to expect predictable outcomes and adopt a closed state of mind. There are, however, a small number of movies that, through the presentation of alternate narrative paths, open the mind to thoughts of choice and possibility.
Trade Review “…a welcome contribution to the scholarship on film narrative. Ben Shaul provides thought-provoking commentary on how movies construct their narratives and the process by which audiences cognitively interact with them. Ben Shaul’s book should appeal to anyone interested in film narratology or cognitive studies of film, and is particularly relevant to those interested in experimental narration and interactive storytelling.” · Projections. The Journal for Movies and Mind
“In general, this book should be of interest to scholars in a number of fields and could be a useful didactic instrument for students attending courses on Communication Studies. The discussion may also be of interest to film audiences in general, as it offers a new hermeneutic approach to the understanding of films we see daily on TV or at the cinema.” · Journal of Contemporary European Studies
Table of Contents Acknowledgements
Chapter 1. Introduction
Chapter 2. Closed Mindedness in Movies
Chapter 3. Failed Alternatives to Optional Thinking
Chapter 4. Optional Thinking in Movies
Chapter 5. Conclusion
Bibliography
Filmography
Index
