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Book Synopsis

Peering into the unconscious through cinema can give audiences an uncanny feeling about what lives in the beyond, something alien to consciousness. This book creates psychological interpretations of films that lend themselves to the depths, and investigates the personal and cultural appeal of cinema as a powerful art form.

The selected films examined in this book circle around the process of individuation, focussing on different aspects of intellectual and emotional life from a Jungian lens. The first group of movies centres on three films, following plotlines that extend beyond the norms of routine drama, delving into alien territory. The second group presents three more films that, by comparison with the first, can be seen as typical dramas that focus on motifs of relationships. In the final chapter, the authors reflect on their own individuation journeys and life experiences that have informed the productive nature of their work together.

This book will be of interest

Cinema and Psyche in Analytical Psychology

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    A Paperback by Joanna Dovalis

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      View other formats and editions of Cinema and Psyche in Analytical Psychology by Joanna Dovalis

      Publisher: Taylor & Francis
      Publication Date: 4/15/2025
      ISBN13: 9781032899442, 978-1032899442
      ISBN10: 1032899441
      Also in:
      Media studies

      Description

      Book Synopsis

      Peering into the unconscious through cinema can give audiences an uncanny feeling about what lives in the beyond, something alien to consciousness. This book creates psychological interpretations of films that lend themselves to the depths, and investigates the personal and cultural appeal of cinema as a powerful art form.

      The selected films examined in this book circle around the process of individuation, focussing on different aspects of intellectual and emotional life from a Jungian lens. The first group of movies centres on three films, following plotlines that extend beyond the norms of routine drama, delving into alien territory. The second group presents three more films that, by comparison with the first, can be seen as typical dramas that focus on motifs of relationships. In the final chapter, the authors reflect on their own individuation journeys and life experiences that have informed the productive nature of their work together.

      This book will be of interest

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