Description

Book Synopsis
This wide-ranging contribution to the study of nationalism and the social history of music examines the relationship between choral societies and national mobilization in the nineteenth century. From Norway to the Basque country and from Wales to Bulgaria, this pioneering study explores and compares the ways choral societies influenced and reflected the development of national awareness under differing political and social circumstances. By the second half of the nineteenth century, organized communal singing became a primary leisure activity that attracted all layers of society. Though strongly patriotic in tone, choral societies borrowed from each other and relied heavily on prominent German or French models. This volume is the first to address both the national and transnational significance of choral singing. Contributors are: Carmen De Las Cuevas Hevia, Jan Dewilde, Tomáš Kavka, Anne Jorunn Kydland, Krisztina Lajosi, Joep Leerssen, Sophie-Anne Leterrier, Jane Mallinson, Tatjana Marković, Fiona M. Palmer, Karel Šima, Andreas Stynen, Dominique Vidaud, Ivanka Vlaeva, Jozef Vos, Gareth Williams, Hana Zimmerhaklová.

Table of Contents
Acknowledgements ... vii Notes on Contributors ... viii Introduction ... 1 Krisztina Lajosi and Andreas Stynen 1 German Influences: Choirs, Repertoires, Nationalities ... 14 Joep Leerssen 2 Choral Societies and Nationalist Mobilization in Nineteenth-Century France ... 33 Sophie-Anne Leterrier 3 Song in the Service of Politics and the Building of Norway ... 53 Anne Jorunn Kydland 4 Choral Societies and Nationalist Mobilization in the Nineteenth Century: A Scottish Perspective ... 70 Jane Mallinson 5 Fighting Choirs: Choral Singing and the Emergence of a Welsh National Tradition, 1860–1914 ... 83 Gareth Williams 6 The Large-Scale Oratorio Chorus in Nineteenth-Century England: Choral Power and the Role of Handel’s Messiah ... 99 Fiona M. Palmer 7 National Art and Local Sociability: Dutch Male Choral Societies in the Nineteenth Century ... 111 Jozef Vos 8 The Choir Scene in Flemish Belgium in the First Half of the Nineteenth Century: The Vlaemsch-Duitsch Zangverbond ... 130 Jan Dewilde 9 Choral Societies and Nationalist Mobilization in the Basque Country: The Orfeon Donostiarra ... 152 Carmen de las Cuevas Hevia 10 Choral Societies and Nationalist Mobilization in Catalonia, 1850–1930 ... 157 Dominique Vidaud 11 “By Means of Singing to the Heart, by Means of Heart to the Homeland”: Choral Societies and the Nationalist Mobilization of Czechs in the Nineteenth Century ... 187 Karel Šima, Tomáš Kavka, and Hana Zimmerhaklová 12 Collapsing Stages and Standing Ovations: Hungarian Choral Societies and Sociability in the Nineteenth Century ... 206 Krisztina Lajosi 13 Choral Societies and National Mobilization in the Serbian (Inter)national Network ... 225 Tatjana Marković 14 Choral Societies and National Mobilization in Nineteenth-Century Bulgaria ... 241 Ivanka Vlaeva Bibliography ... 261 Index ... 280

Choral Societies and Nationalism in Europe

    Product form

    £47.20

    Includes FREE delivery

    Order before 4pm tomorrow for delivery by Tue 23 Jun 2026.

    A Paperback by Krisztina Lajosi, Andreas Stynen

    Out of stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Choral Societies and Nationalism in Europe by Krisztina Lajosi

      Publisher: Brill
      Publication Date: 01/11/2018
      ISBN13: 9789004389601, 978-9004389601
      ISBN10:
      Also in:
      Choral music

      Description

      Book Synopsis
      This wide-ranging contribution to the study of nationalism and the social history of music examines the relationship between choral societies and national mobilization in the nineteenth century. From Norway to the Basque country and from Wales to Bulgaria, this pioneering study explores and compares the ways choral societies influenced and reflected the development of national awareness under differing political and social circumstances. By the second half of the nineteenth century, organized communal singing became a primary leisure activity that attracted all layers of society. Though strongly patriotic in tone, choral societies borrowed from each other and relied heavily on prominent German or French models. This volume is the first to address both the national and transnational significance of choral singing. Contributors are: Carmen De Las Cuevas Hevia, Jan Dewilde, Tomáš Kavka, Anne Jorunn Kydland, Krisztina Lajosi, Joep Leerssen, Sophie-Anne Leterrier, Jane Mallinson, Tatjana Marković, Fiona M. Palmer, Karel Šima, Andreas Stynen, Dominique Vidaud, Ivanka Vlaeva, Jozef Vos, Gareth Williams, Hana Zimmerhaklová.

      Table of Contents
      Acknowledgements ... vii Notes on Contributors ... viii Introduction ... 1 Krisztina Lajosi and Andreas Stynen 1 German Influences: Choirs, Repertoires, Nationalities ... 14 Joep Leerssen 2 Choral Societies and Nationalist Mobilization in Nineteenth-Century France ... 33 Sophie-Anne Leterrier 3 Song in the Service of Politics and the Building of Norway ... 53 Anne Jorunn Kydland 4 Choral Societies and Nationalist Mobilization in the Nineteenth Century: A Scottish Perspective ... 70 Jane Mallinson 5 Fighting Choirs: Choral Singing and the Emergence of a Welsh National Tradition, 1860–1914 ... 83 Gareth Williams 6 The Large-Scale Oratorio Chorus in Nineteenth-Century England: Choral Power and the Role of Handel’s Messiah ... 99 Fiona M. Palmer 7 National Art and Local Sociability: Dutch Male Choral Societies in the Nineteenth Century ... 111 Jozef Vos 8 The Choir Scene in Flemish Belgium in the First Half of the Nineteenth Century: The Vlaemsch-Duitsch Zangverbond ... 130 Jan Dewilde 9 Choral Societies and Nationalist Mobilization in the Basque Country: The Orfeon Donostiarra ... 152 Carmen de las Cuevas Hevia 10 Choral Societies and Nationalist Mobilization in Catalonia, 1850–1930 ... 157 Dominique Vidaud 11 “By Means of Singing to the Heart, by Means of Heart to the Homeland”: Choral Societies and the Nationalist Mobilization of Czechs in the Nineteenth Century ... 187 Karel Šima, Tomáš Kavka, and Hana Zimmerhaklová 12 Collapsing Stages and Standing Ovations: Hungarian Choral Societies and Sociability in the Nineteenth Century ... 206 Krisztina Lajosi 13 Choral Societies and National Mobilization in the Serbian (Inter)national Network ... 225 Tatjana Marković 14 Choral Societies and National Mobilization in Nineteenth-Century Bulgaria ... 241 Ivanka Vlaeva Bibliography ... 261 Index ... 280

      Recently viewed products

      © 2026 Book Curl

        • American Express
        • Apple Pay
        • Diners Club
        • Discover
        • Google Pay
        • Maestro
        • Mastercard
        • PayPal
        • Shop Pay
        • Union Pay
        • Visa

        Login

        Forgot your password?

        Don't have an account yet?
        Create account