Description

Book Synopsis
Presents the text of Chapman's translation of the "Odyssey" (1614-15), making only a small number of modifications to punctuation and wording where they might confuse the modern reader. This book also examines Chapman's "fine touch" in translating "the warm and human sense of comedy" in the "Odyssey".

Trade Review
"In Chapman's Whole Works of Homer ... English is spendthrift, inebriate with waste motion, at times precious and as yet uncertain of its coruscating force. It is also the language of Elizabethan and Jacobean drama, charged with sensory, corporeal thrust. At moments, it is already exact in that manual, pragmatic vein which is the virtue of English. At others, it comes armed with lyric sorrow. Homer, as Chapman construes him ... makes the English language know itself and impels it to cast its lexical-grammatical net over a thronging prodigality of life."--George Steiner, Homer in English "Each age approaches Homer, and particularly the Odyssey, with a kind of astonishment ... Chapman was Shakespeare's contemporary... At times, noticing the epic sustainability of his verse, you get the feeling that he occupies a point on an imaginary line between Shakespeare and Milton..."--Nicholas Lezard, The Guardian

Chapmans Homer

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    A Paperback / softback by Homer, Allardyce Nicoll, George Chapman

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      View other formats and editions of Chapmans Homer by Homer

      Publisher: Princeton University Press
      Publication Date: 17/12/2000
      ISBN13: 9780691048918, 978-0691048918
      ISBN10: 0691048916

      Description

      Book Synopsis
      Presents the text of Chapman's translation of the "Odyssey" (1614-15), making only a small number of modifications to punctuation and wording where they might confuse the modern reader. This book also examines Chapman's "fine touch" in translating "the warm and human sense of comedy" in the "Odyssey".

      Trade Review
      "In Chapman's Whole Works of Homer ... English is spendthrift, inebriate with waste motion, at times precious and as yet uncertain of its coruscating force. It is also the language of Elizabethan and Jacobean drama, charged with sensory, corporeal thrust. At moments, it is already exact in that manual, pragmatic vein which is the virtue of English. At others, it comes armed with lyric sorrow. Homer, as Chapman construes him ... makes the English language know itself and impels it to cast its lexical-grammatical net over a thronging prodigality of life."--George Steiner, Homer in English "Each age approaches Homer, and particularly the Odyssey, with a kind of astonishment ... Chapman was Shakespeare's contemporary... At times, noticing the epic sustainability of his verse, you get the feeling that he occupies a point on an imaginary line between Shakespeare and Milton..."--Nicholas Lezard, The Guardian

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