Description

Book Synopsis
Over the five decades of her writing career, Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. Cather Studies, Volume 12 shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions.

Trade Review
"Willa Cather and the Arts reveals a writer deeply embedded in, and curious about, her geographical, historical, and cultural moment."—Maura D'Amore, Great Plains Quarterly
"The collected essays within volume 12 of Cather Studies offer an invaluable addition to every Cather scholar's library—just as it presents fresh and readable new insights for the more casual Cather enthusiast."—Kim Vanderlaan, American Literary Realism
"A must for Cather readers."—N. Birns, Choice
"This twelfth volume of Cather Studies continues an active conversation in Cather scholarship about the writer’s engagement with artistic traditions, such as painting and opera. One solid strength of this particular collection . . . is its expansive definition of the arts in Cather’s work—inclusive of both traditional arts like painting and music as well as domestic arts, Black vernacular in poetry, illustrations, and consumer objects."—Holly Blackford, Western American Literature

Table of Contents

Contents

List of Illustrations

Introduction: Willa Cather and the Arts

Guy J. Reynolds

1. “A Lot of Things”: The Value of the Vernacular in Shadows on the Rock

Diane Prenatt

2. “Down by de Canebrake”: Willa Cather, Sterling A. Brown, and the Racialized Vernacular

Janis P. Stout

3. The Singer as Artist: Willa Cather, Olive Fremstad, and the Artist’s Voice

Sarah L. Young

4. Cather’s Evolving Ear: Music Reheard in the Late Fiction

John H. Flannigan

5. Memory and Image: Graphemics for a New Frontier Icon in My Ántonia

Joyce Kessler

6. “Paul’s Case” and Pittsburgh: Industry and Art in the Great Manufacturing Town

James A. Jaap

7. Under the White Mulberry Tree: Food and Artistry in Cather’s Orchards

Stephanie Tsank

8. “The Passionless Bride”: Love, Loss, and Lucretius in The Professor’s House

Matthew Hokum

9. Advertising Willa Cather as Product

Erika K. Hamilton

Contributors

Index

Cather Studies Volume 12

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    £28.80

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    RRP £32.00 – you save £3.20 (10%)

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    A Paperback / softback by Cather Studies, Guy J. Reynolds

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      Publisher: University of Nebraska Press
      Publication Date: 01/01/2020
      ISBN13: 9781496217646, 978-1496217646
      ISBN10: 1496217640

      Description

      Book Synopsis
      Over the five decades of her writing career, Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. Cather Studies, Volume 12 shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions.

      Trade Review
      "Willa Cather and the Arts reveals a writer deeply embedded in, and curious about, her geographical, historical, and cultural moment."—Maura D'Amore, Great Plains Quarterly
      "The collected essays within volume 12 of Cather Studies offer an invaluable addition to every Cather scholar's library—just as it presents fresh and readable new insights for the more casual Cather enthusiast."—Kim Vanderlaan, American Literary Realism
      "A must for Cather readers."—N. Birns, Choice
      "This twelfth volume of Cather Studies continues an active conversation in Cather scholarship about the writer’s engagement with artistic traditions, such as painting and opera. One solid strength of this particular collection . . . is its expansive definition of the arts in Cather’s work—inclusive of both traditional arts like painting and music as well as domestic arts, Black vernacular in poetry, illustrations, and consumer objects."—Holly Blackford, Western American Literature

      Table of Contents

      Contents

      List of Illustrations

      Introduction: Willa Cather and the Arts

      Guy J. Reynolds

      1. “A Lot of Things”: The Value of the Vernacular in Shadows on the Rock

      Diane Prenatt

      2. “Down by de Canebrake”: Willa Cather, Sterling A. Brown, and the Racialized Vernacular

      Janis P. Stout

      3. The Singer as Artist: Willa Cather, Olive Fremstad, and the Artist’s Voice

      Sarah L. Young

      4. Cather’s Evolving Ear: Music Reheard in the Late Fiction

      John H. Flannigan

      5. Memory and Image: Graphemics for a New Frontier Icon in My Ántonia

      Joyce Kessler

      6. “Paul’s Case” and Pittsburgh: Industry and Art in the Great Manufacturing Town

      James A. Jaap

      7. Under the White Mulberry Tree: Food and Artistry in Cather’s Orchards

      Stephanie Tsank

      8. “The Passionless Bride”: Love, Loss, and Lucretius in The Professor’s House

      Matthew Hokum

      9. Advertising Willa Cather as Product

      Erika K. Hamilton

      Contributors

      Index

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